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词派

词派的相关文献在1983年到2020年内共计82篇,主要集中在中国文学、社会科学丛书、文集、连续性出版物、体育 等领域,其中期刊论文82篇、专利文献7545篇;相关期刊64种,包括文史知识、大众文艺、语言教育等; 词派的相关文献由78位作者贡献,包括宋娟、张丹卉、张仲谋等。

词派—发文量

期刊论文>

论文:82 占比:1.08%

专利文献>

论文:7545 占比:98.92%

总计:7627篇

词派—发文趋势图

词派

-研究学者

  • 宋娟
  • 张丹卉
  • 张仲谋
  • 朱德慈
  • 袁志成
  • 陈水云
  • 陈水云1
  • 严迪昌
  • 仝乐
  • 伍铁平
  • 期刊论文
  • 专利文献

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期刊

    • 陈水云
    • 摘要: 明末清初对于作词法有较多论述,这些论述既指涉作品的创作技巧,也关乎词派的创作理念.一般说来,清初诸词派比较推崇北宋词的高浑,在创作技法上标举"警策",在审美观念上重视"神韵",而浙西词派则更为推重南宋词的典雅,树立起"字雕句琢,归于醇雅"的姜张词风.从追求北宋的本色天然到宗尚南宋的典雅词法是一种历史进步.
    • 陈水云
    • 摘要: 明末清初对于作词法有较多论述,这些论述既指涉作品的创作技巧,也关乎词派的创作理念。一般说来,清初诸词派比较推崇北宋词的高浑,在创作技法上标举"警策",在审美观念上重视"神韵",而浙西词派则更为推重南宋词的典雅,树立起"字雕句琢,归于醇雅"的姜张词风。从追求北宋的本色天然到宗尚南宋的典雅词法是一种历史进步。
    • 朱德慈
    • 摘要: 家族与姻族文化是清代词派发展的重要源泉.柳洲词派的运行源自钱、魏、曹、柯四大家族的合力;阳羡词派品格的形成源自陈维崧家族文化的濡染;吴中词派的持续多赖潘氏家族文化的影响;常州张氏家族文化不惟催生了常州词派,而且成为整个常州地域文化的重要组成部分.文化家族的联姻更为诸词派的壮大提供了广阔的良性空间.
    • 赵维江1; 刘慧宽1
    • 摘要: 元代南北混一后出现的新一轮“复雅”思潮,是以南宋遗民群体为主的南宗词派面对元词创作新特点、新问题而进行的思考和探讨。张炎所作《词源》和《山中白云词》从理论和实践两方面成为复雅思潮的大纛和标杆。
  • 5. 序跋书写与清代词学生态 北大核心 CHSSCD CSSCI CSTPCD
    • 冯乾
    • 摘要: 序跋可以“辩章学术,考镜源流”,亦有知人论世之用,不但序跋自身具有丰富的文献价值,围绕序跋书写而产生的词学活动,也可以反映一段时期与特定地域词坛的状况.本文选择三种类型加以探讨:浙西词人编纂《词综》与刊刻《浙西六家词》,通过词序的书写及其策略性调整,突出推尊南宋雅词的意图.孙默通过刊刻《十六家词》,成功地建立了文学声名,树立了贫而好士的形象.这一形象经过序跋书写得以固化,从而在某种意义上实现了不朽.张曜孙《升甫词》稿本具有极大的文献价值,通过对各家题识的排列和分析,呈现出一部词稿样本的阅读史,反映出清词创作与批评的原生态.
    • 仝乐; 王建生
    • 摘要: To promote the position of Ci poetry, Wang Zhuo emphasizes the importance of the text of Ci poetry and advocates Su Shi's writing genre of "imitating poems" in his Random Jottings from the Green Rooster Quarter. This is also the effort of Wang Zhuo as an ardent patriot to arouse the awareness of "upholding elegance" among scholar -officials in feudal China. As a critic of Ci poetry, Wang Zhuo has his own aesthetic standard on "graceful" Ci poetry. In his part, Ci poets from the school of flowery Ci poetry who were influenced by Liu Yong's writings all had some classic lines. It is necessary to reexamine the remarks on Liu Yong by Wang Zhuo. And Wang Zhuo is also interested in satire Ci poetry at the same time.%为了抬高词体的地位, 王灼《碧鸡漫志》强调词文本的重要性, 并且宣扬苏轼"以诗为词"的词风, 这也是王灼作为爱国志士唤醒士大夫的"崇雅"意识.王灼作为词评家, 对"婉"词也有着自己的审美标准.其中, 王灼认为"源流从柳氏来"的侧艳词人皆有佳句, 也可以重新审视王灼对柳永的评价.此外, 王灼对于俳谐词也极具兴趣.
    • 张仲谋
    • 摘要: “艳词”,或作“艳情词”,具体内涵往往因人而异,或因不同语境而异。《旧唐书》温庭筠传说他“能逐弦吹之音,为侧艳之词”,《旧五代史》和凝传称其“长于短歌艳曲”,又词史上早有“词为艳科”之说,虽无统一界说,意实相通。在艳词这个宽泛概念中,一端是一般意义的爱情词,另一端则是带有情色意味的狭邪之词。若逼近考察,当然仍可细分种种名目。细分或便于同中求异,而统观则有利于综合考察。
    • 杨松冀1
    • 摘要: 苏轼《念奴娇·赤壁怀古》是我国豪放词的奠基之作,也是我国古代豪放词最有代表性的杰作之一,该词对南宋豪放词派的形成以及对元明清后代词人的积极影响是无法估量的。据学者研究,在现存的宋词中,苏轼《念奴娇·赤壁怀古》一词,自宋至今一直是影响力最大也是被追和次数最多的,是当之无愧的千古宋词第一名篇。
    • 张仲谋
    • 摘要: Among Ci School that both in Ming Dynasty and Qing Dynasty,Liuzhou Ci School was first set up and it has lasted for a long time.It originated in the late Ming WanLi period and formed during Ming ChongZhen period.The name of the forefather'posthumous manuscript that listed in the front of Liuzhou Ci Selection is forty-one in all,which can basi-cally be considered as Ci poets of the Ming Dynasty.There are four Ci poets called Wangwu,Qian Jizhang,Wuxi and Cao Er-kan,each having their own album and a large number of remaining poems,though they have lived for a very long time in the Qing Dynasty.But Wuxi and Cao Er-kan are officials in the Qing Dynasty,so they are usually seen as Ci poets of the Qing Dynasty.However,after some specific investigations into their writing experiences and remaining Ci poems, you'll find the vast majority of the Ci poems are written before the Ming and Qing Dynasties.Wangwu's ten-volumeCa-oxian Cottage Ciand one volume Boxian Room Ci,Qian Jizhang's one-volumeIce Cottage Ci,Wuxi's three-volumeFei Shui Hut's Ci and Cao Er-kan's five-volumeWei You Hut's Ci,those four collected Ci poems are all editions of Wuxi during eight years or nine years in Ming ChongZhen period.The copies can still be found in the National Library today. Referring to the statements of Liuzhou Eight Poets or Yunjian Three Poets,we can just describe the four as Liuzhou Four Poets.Meanwhile,the four collected Ci poems not only mark the formation of early Liuzhou Ci School,but also objec-tively show its'creations.This article gives systemic textual researches and discussions on the formation time of early Li-uzhou Ci School and the Ci poetry works'situations of the four poets of Liuzho before the Qing Dynasty as a result,It de-velops a better precision of certainty and recognition on the origin of Liuzhou Ci School's formation in the Ming Dynasty and recovery in the early Qing Dynasty.%在兼跨明清两代的词派中,柳洲词派创立最早且历时较长。它滥觞于万历末期而形成于崇祯年间。《柳洲词选》卷首所列“先正遗稿姓氏”凡41人,基本上可以视为明代词人。前期柳洲词派中各有专集,且存词数量较多的王屋、钱继章、吴熙、曹尔堪等四位词人,虽然入清之后活了较长时间,吴熙(亮中)和曹尔堪且在入清之后应举为官,所以他们一般被视为清代词人。然而具体考察他们的创作历程与传世词作,就会发现其现存词作中,绝大部分皆写于明清易代之前。王屋《草贤堂词笺》十卷、《蘗弦斋词笺》一卷,钱继章《雪堂词笺》一卷,吴熙《非水居词笺》三卷,曹尔堪《未有居词笺》五卷,这四家词别集皆为明崇祯八年、九年之间吴熙刊本,今国家图书馆有藏本。参照“柳洲八子”或“云间三子”的说法,正不妨称此四家为“柳洲四子”。而这四家词集的同时付刻,既标志着前期柳洲词派的形成,亦在客观上彰显了柳洲词派的创作实绩。本文对前期柳洲词派形成时间与“柳洲四子”入清之前的词作情况,作了较为系统的考证与论述,从而对柳洲词派形成于明季、复兴于清初的渊源过程,有了更为准确的把握与认知。
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