声明
Acknowledgements
Abstract
摘要
Contents
List of Tables and Figures
CHAPTERⅠ INTRODUCTION
1．1 A General Introduction to Agatha Christie and And Then There Were None
1．2 Objectives and Necessity of the Study
1．3 Originality of the Study
1．4 Organization of the Thesis
CHAPTERⅡ LITERATURE REVIEW
2．1 The Previous Studies on the Manipulation Theory
2．1．1 The origin of the Manipulation Theory
2．1．2 The Development of the Manipulation Theory
2．1．3 The Application of the Manipulation Theory
2．2 The Previous Studies on Agatha Christie’s Works
2．2．1 The Previous Studies on the Artistic and Aesthetic Value of Christie’s Works
2．2．2 The Previous Studies on Christie’s Works from the Linguistic Angle
2．2．3 The Previous Studies on Christie’s Works from other Aspects
2．3 Summary
CHAPTERⅢ THE MANIPULATION OF PATRONAGE
3．1 The Manipulation of Patronage on the Source Text Chosen
3．2 Summary
CHAPTERⅣ THE MANIPULATION OF POETICS
4．1 Manipulation of Poetics on Prefaces and Postscripts
4．2 Manipulation of Poetics on Words with the Same Meaning but Different Written Forms
4．3 Manipulation of Poetics on Curses and Words Describing Rich Life in Western Countries
4．4 The Interaction between Poetics and other Factors
4．5 Summary
CHAPTERⅤ THE MANIPULATION OF IDEOLOGY
5．1 Ideological Manipulation on the Notes
5．2 Ideological Manipulation on the Words with Foreign Flavors
5．3 Ideological Manipulation on the Main Translation Strategy Adopted
5．4 Summary
CHAPTERⅥ CONCLUSION
6．1 Summary of Major Findings
6．2 Implications of the Study
6．3 Limitations of the Study and Suggestions for Further Study
Bibliography
Appendices
Appendix A
Appendix B
Publications
