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Decomposing rhythm processing: Electroencephalography of perceived and self-imposed rhythmic patterns

机译:分解节奏处理:感知和自我施加的节奏模式的脑电图

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摘要

Perceiving musical rhythms can be considered a process of attentional chunking over time, driven by accent patterns. A rhythmic structure can also be generated internally, by placing a subjective accent pattern on an isochronous stimulus train. Here, we investigate the event-related potential (ERP) signature of actual and subjective accents, thus disentangling low-level perceptual processes from the cognitive aspects of rhythm processing. The results show differences between accented and unaccented events, but also show that different types of unaccented events can be distinguished, revealing additional structure within the rhythmic pattern. This structure is further investigated by decomposing the ERP into subcomponents, using principal component analysis. In this way, the processes that are common for perceiving a pattern and self-generating it are isolated, and can be visualized for the tasks separately. The results suggest that top-down processes have a substantial role in the cerebral mechanisms of rhythm processing, independent of an externally presented stimulus.
机译:在重音模式的驱动下,感知音乐节奏可以被视为注意力集中的过程。通过将主观重音图案放置在同步刺激序列上,也可以在内部生成节奏结构。在这里,我们调查实际和主观口音的事件相关电位(ERP)签名,从而从节奏处理的认知方面解开低级的感知过程。结果显示重音事件和未重音事件之间的差异,但也表明可以区分不同类型的重音事件,从而揭示了节奏模式中的其他结构。通过使用主成分分析将ERP分解为子成分,可以进一步研究此结构。通过这种方式,可以隔离感知模式和自动生成模式的常用过程,并且可以分别将其可视化为任务。结果表明,自上而下的过程在节奏处理的大脑机制中起着重要作用,而与外部刺激无关。

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