文艺美学的研究和中西文艺美学的比较研究应该在整体性研究的基础上走向具体艺术门类的深入研究。文艺美学以艺术中的具体审美经验为研究的出发点和学科的逻辑支撑点，这是它与哲学美学、艺术哲学研究范式的根本差异，它也不同于文艺社会学与文艺心理学。文艺美学在中国和西方都是事实性的存在，这种事实性的存在本身表现出中西文艺美学切实的相关性。全球化的文化语境动摇了欧洲文化中心论和西方文化中心论的根基，使得比较文学、比较美学的研究发生了从西方中心化向世界范围的国际化的逐步位移。在中西文艺美学比较研究中，我们应追求不同国家、民族、文化的文艺美学的互见、互识、互证、通达、会通% Literary aesthetics and the comparative study of Chinese and Western literary aesthetics should be directed to an in-depth study of specific disciplines of art on the basis of integrated study. Literary aesthetics, with specific aesthetic experience in art as a starting point and scientific logic as support, is fundamentally different from philosophical aesthetic, art philosophy, literary sociology, and literary psychology. Both the Chinese and Western literary aesthetics are factual existence showing practical relevance with each other. The cultural context of globalization has shaken the European-centered or the Western-centered cultural base, making comparative literature, comparative aesthetic gradually displaced from the Western center to the international scope. In the comparative study of Chinese and Western literary aesthetics, we should pursue mutuality of literary aesthetics among different nations, nationalities and cultures.
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