'形势'下的'形式'——语用学视野下武汉大学老斋舍研究

摘要

建筑形式作为社会形势的载体符号,能够棱角分明地刻画出历史进程中的社会变化.该文通过考证武汉大学老斋舍建造之初的社会形势,在语用学的视野下,重新审视老斋舍从形式上表达的在20世纪30年代的背景下,建筑师对中国传统文化的认识及传承方式,探求其在建筑创作上对民族符号运用的思维路径,从而得出当代中国建筑民族性符号表达所需要的"形"与"神"的经典性原则和"物"与"我"的关联性原则,以期为我国民族性符号在建筑设计上的应用提供借鉴.%Architectural form as the carrier of social situation symbol, is able to clearly depict the social situation in the process of history. In this article, through studying the original social situation about the old dormitory of Wuhan University, we reexamine the heritage about the Chinese traditional culture through the form of the old dormitory from the perspective of pragmatics, and we also explore the creative thinking path, we conclude that the classic principle of "form" and "connotation", and the relevance principle of "space" and "people"are necessary in the expression of Chinese architectural nationality symbol of the time. We hope it can provide national symbol references for the application in architectural design.