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Développement d'une plate-forme robotisée pour l'étude des instruments de musique à cordes pincées

机译:开发用于研究弹拨乐器的机器人平台

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摘要

The study of musical instruments involves the study of musicians, instruments and of the complex interaction that exists between them. The analysis of musical gestures requires numerous measurements on musicians to extract the relevant parameters in order to model their interaction. In the case of plucked string instruments, the goal is to determine the initial conditions imposed on the string by the plucking mechanism (plectrum, finger). How does one get all these parameters without disrupting the musician in playing conditions ? How can one know that the parameters are the best ones to describe the initial conditions of the string vibrations and its acoustic signature ? An experimental platform has been designed to answer these questions. It can reproduce the gesture of a musician, in particular of a harpist or a harpsichordist. It should be pointed out that the concept of a musical gesture is defined here in a broad sense : the robot can reproduce either the path followed by the musician's fingers, or the initial conditions resulting from this trajectory. The first method is particularly suited for the resolution of an inverse dynamic problem. One can then calculate the forces developed by the musician's muscles during the execution of a musical piece, for example. The second method is better suited for imposing specific initial conditions on the instrument through trajectories designed by the experimenter. The correct reproduction of the trajectories needs to reject disturbances due to the contact between the robot and the instrument. The design of a force sensor, integrated into the robot end effector, is a first step toward satisfying this requirement. After the design of the robotic platform, its precision and repeatability is investigated. The force sensor is then integrated on the robot end effector, and an example of its use is presented. The experiment is focused on the harmonization of the harpsichord plectra. Harmonization is a complex process of adjustments achieved by the luthier on the instrument. A model of the plectrum / string interaction, taking into account the geometry of the plectrum, as well as experiments performed on a real harpsichord, show that harmonization have an impact on the string initial conditions of vibration.
机译:乐器的研究涉及音乐家,乐器以及它们之间存在的复杂相互作用的研究。对音乐手势的分析需要对音乐家进行大量测量,以提取相关参数,以对他们的互动进行建模。对于拨弦乐器,目标是确定拨弦机制(拨片,手指)对弦施加的初始条件。如何获得所有这些参数而又不打扰音乐家的演奏环境?怎样才能知道这些参数是描述琴弦振动的初始条件及其声学特征的最佳参数?设计了一个实验平台来回答这些问题。它可以再现音乐家,特别是竖琴演奏家或大键琴演奏家的姿态。应当指出的是,此处从广义上定义了音乐手势的概念:机器人可以重现音乐家手指所遵循的路径或由此轨迹产生的初始条件。第一种方法特别适合解决逆动态问题。然后,例如,人们可以在演奏音乐作品的过程中计算出音乐家的肌肉所产生的力。第二种方法更适合通过实验者设计的轨迹在仪器上施加特定的初始条件。轨迹的正确再现需要消除由于机器人与仪器之间的接触而引起的干扰。集成到机器人末端执行器中的力传感器的设计是满足此要求的第一步。在设计了机器人平台之后,研究了其精度和可重复性。然后将力传感器集成到机器人末端执行器上,并给出其使用示例。实验着重于大键琴琵琶琴的协调。协调是乐器上的琴弦调节的复杂过程。考虑到拨片的几何形状以及在真实的大键琴上进行的实验,拨片/弦相互作用的模型表明,和声对弦的振动初始条件有影响。

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  • 作者

    Roy Alexandre;

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  • 年度 2015
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  • 原文格式 PDF
  • 正文语种 fr
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