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Biologically-inspired Control Architecture for Musical Performance Robots

机译:用于音乐性能机器人的生物启发控制架构

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At Waseda University, since 1990, the authors have been developing anthropomorphic musical performance robots as a means for understanding human control, introducing novel ways of interaction between musical partners and robots, and proposing applications for humanoid robots. In this paper, the design of a biologically-inspired control architecture for both an anthropomorphic flutist robot and a saxophone playing robot are described. As for the flutist robot, the authors have focused on implementing an auditory feedback system to improve the calibration procedure for the robot in order to play all the notes correctly during a performance. In particular, the proposed auditory feedback system is composed of three main modules: an Expressive Music Generator, a Feed Forward Air Pressure Control System and a Pitch Evaluation System. As for the saxophone-playing robot, a pressure-pitch controller (based on the feedback error learning) to improve the sound produced by the robot during a musical performance was proposed and implemented. In both cases studied, a set of experiments are described to verify the improvements achieved while considering biologically-inspired control approaches.
机译:在Wasea大学,自1990年以来,作者一直在发展拟人音乐表演机器人作为理解人类控制的手段,引入音乐伙伴和机器人之间的新互动方式,以及提出人形机器人的应用。在本文中,描述了对拟人翼状胬肉机器人和萨克斯管播放机器人的生物启发控制架构的设计。至于火炬机器人,作者集中于实现听觉反馈系统,以改善机器人的校准程序,以便在性能期间正确地播放所有音符。特别是,所提出的听觉反馈系统由三个主模块组成:富有效应音乐发生器,馈送前进气压控制系统和音高评估系统。对于萨克斯管播放机器人,提出并实现了在音乐能表现期间改善机器人产生的声音的压力间距控制器(基于反馈误差学习)。在研究两种情况下,描述了一组实验来验证考虑生物启发的控制方法的同时实现的改进。

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