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Children's drawings of the self as an expression of cultural conceptions of the self

机译:儿童的自我绘画作为自我文化观念的表达

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The present study is based on the assumption that the figure size of young children's drawings of themselves is mediated by cultural conceptions of the self. It was hypothesized that Cameroonian rural children, developing predominantly an interdependent self-conception, draw themselves alone and in a family picture smaller than urban German children, who predominantly develop an independent self-conception. A total of 570 preschool children were recruited from Cameroonian Nso-farmer families and German middle-class families. Drawings of 76 Cameroonian and 72 German children, matched for age, graphical competence, developmental stage, and structural level of human figure drawing (tadpoles, transitional drawings, and conventional human figure drawings), were entered into final analyses. According to our hypothesis, the figure size as well as the head size of Cameroonian children's drawings are substantially smaller compared to the drawings of German children. Results are discussed in regard to the cognitive size of the self, which is mediated differently by different cultural contexts.
机译:本研究基于这样的假设,即幼儿绘画自己的图形尺寸是由自我的文化观念所介导的。据推测,喀麦隆农村儿童主要发展为相互依存的自我概念,因此他们自己一个人,并且其家庭景象比德国城市儿童少,后者主要发展独立的自我概念。喀麦隆Nso农民家庭和德国中产阶级家庭共招募了570名学龄前儿童。将根据年龄,图形能力,发育阶段和人体结构图(ta,过渡图和常规人体结构图)的结构水平匹配的76名喀麦隆儿童和72名德国儿童的图形进行了分析。根据我们的假设,与德国儿童的绘画相比,喀麦隆儿童绘画的图形尺寸和头部尺寸要小得多。讨论了关于自我认知大小的结果,这是由不同的文化背景以不同的方式介导的。

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