Zaisheng yuan wrote by Chen Duansheng is one of the outstanding representative storytelling works in Qing.There are many adaptation,sequel,imitation works for the storytelling texts as a female writing storytelling craze in the boudoir reader group,and Liang Desheng,Hou Zhi,Qiu Xinru were the most prominent writers after the Qianlong period.The writer of the sequel often described the character how to face the reality and identity after she changed her dress,and most of who would recognize the character again returning to the established survival status of women,and that is to the family as the social identity of the wife,mother,and housewife,which is not conscious of falling back into the survival status of de Beauvoir called the "otherness".This regression is an expression of the collective unconscious,which described the status of women addicted to "his" deep cultural connotation.%陈端生创作的《再生缘》是清代文人弹词的代表作。清朝乾隆以后,在闺阁阅读群的批评互动中,产生了对文本的改编、续作、仿作等文学现象,这方面以梁德绳、侯芝、邱心如等人成就最突出,从而在文学史上形成了一个女性写作弹词的热潮。续作者大多是围绕易装之后主人公如何面对现实身份这个焦点问题展开的。大部分的续作者都或多或少的认同主人公重新回归女性的既定生存状态,即回到家庭,回归妻子、母亲、家庭主妇的社会身份。这就不自觉的重新陷入了波伏娃所谓的＂他者＂生存状态中去了。这样的回归是集体无意识的一种表现,说明了女性沉溺于＂他者＂地位的深层文化内涵。
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