Male view of narration is a traditional model of Chinese narrative, and therefore, women in literature are often in a status of “being seen”. Feminist writers persevere in rewriting women’s history destiny of “being seen” with ongoing efforts. In the new era the rebellion to classical narrative views is evident in female narrative fictions.Based on the theory of narratology, the paper analyzesThe War of One Person, a female view of narration, from the perspectives such as female initiative to break out by means of “seeing”, the construction of female consciousness of subject, and the lose of ego after the female escapes from men, which is aimed to rewrite female destiny of “being seen”.%男性叙事视角是中国叙事学的传统叙事模式,故女性在文学作品中往往处在“被看”的地位。女性主义作家对女性“被看”历史命运的改写,进行着持续不断的努力,新时期以来的女性叙事小说对经典叙事视角的反叛色彩尤为明显。以叙事学为理论背景,从女性主动“看”的突围路径、女性主体意识的建构、女性叛逃男门后的自我迷失三个方面,浅析《一个人的战争》立足女性视角叙事为改写女性“被看”所付出的努力。
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