首页> 中文期刊>天津大学学报(社会科学版) >民间视阈下的《红高粱》与《还乡》的女性叙事

民间视阈下的《红高粱》与《还乡》的女性叙事

     

摘要

Mo Yan and Hardy both as narrators of folk culture , have demonstrated the life vitality of folk culture in their no-vels by shaping many different kinds of women are two .Feng Lin in Red Sorghum and Eustacia in The Return of the Native are two most typical characters .Their female narration not only share something in common , but also distinct from each oth-er.First, they both have described women ’s instinctive desire , but they had different attitudes towards it; secondly they both described the women ’s rebellion, but from different basis; finally, cultural significance can be revealed from two writers’ideal female narrative .%莫言和哈代都是民间文化的表述者,他们的小说都展现了民间文化的生命力,在此文化视域下塑造了诸多女性形象,其中以《红高粱》中的凤莲和《还乡》中的游苔莎最为典型。在两人的女性叙事中,既有相同又有差异:首先,他们都描述了女性的本能欲望,但对欲望的态度不同;其次,都描述了女性的反叛,但反叛的基点不同;最后,从两个作家对女性的理想化书写中,深层揭示差异性背后蕴涵的文化意义。

著录项

相似文献

  • 中文文献
  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号