首页> 中文期刊> 《顺德职业技术学院学报》 >李白游仙诗世界之形态、模式及其审美意义--兼议李白游仙诗对《楚辞》游仙体式的接受

李白游仙诗世界之形态、模式及其审美意义--兼议李白游仙诗对《楚辞》游仙体式的接受

         

摘要

Influenced by Taoism, Li Bai absorbed the core values and forms of expressions from Chu Ci and conveyed his own thoughts and feelings from the mystical angle of Taoism, which made a breakthrough against the simple images and pure aspiration for longevity in fairy poems from the Six Dynasties. With a strong disposition, he combined his own suf-ferings and current events, making his poems personalized with dreamy colors. In his fairy world, three mystical excur-sion forms of superman, wonderland and sincere emotions can be discerned, and three modes of describing fairies of"through the description of fantasy","through the description of dream"and"through the description of excursion"can be distinguished, which contribute an enriched and colorful looks as well as profound artistic tastes to his fairy poems. With great wit, abundant imagination, and remarkable personality, Li Bai deserves the fame of"the God of Poetry". His vast poetic world, with monumental poetic values and aesthetic significances, not only has enlarged the humane space for Taoism but also built up a cornerstone for the future fairy poems.%在道教文化的影响下,李白从神仙道教的角度驾驭神仙题材来传达其思想感情,吸收《楚辞》游仙的精神内核与表达形式,突破了六朝以来一味升登求仙而企慕长生的游仙题材与颇为单纯的游仙意象,结合自身遭遇,融合现实时事,在浓烈的性情中涂抹上相当个性化的梦幻色彩。在诗人“仙”气弥漫的梦幻世界里,别具三种游仙文化形态,即:超凡之人、奇幻之境与至诚之情,同时又创造了“以幻写仙”、“以梦写仙”与“以游写仙”的三种抒写游仙世界的新异模式,呈现出丰富多彩的游仙面貌与深刻意境。其才力之大、想象力之丰、个性之显,洵无愧“诗仙”之名,而其广阔的堂庑,既为道教神仙世界努力拓展人性化的空间,也为游仙诗史竖起了一座继往开来的丰碑,具有不朽的诗学价值与审美意义。

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