在道教文化的影响下，李白从神仙道教的角度驾驭神仙题材来传达其思想感情，吸收《楚辞》游仙的精神内核与表达形式，突破了六朝以来一味求仙、企慕长生的游仙题材与颇为单纯的游仙意象，结合自身遭遇，融合现实时事，在浓烈的性情中涂抹上相当个性化的梦幻色彩。在诗人“仙”气弥漫的梦幻世界里，别具三种游仙文化形态：超凡之人、奇幻之境与至诚之情，同时又创造了“以幻写仙”、“以梦写仙”与“以游写仙”的三种抒写游仙世界的新异模式，呈现出丰富多彩的游仙面貌与深刻意境。李白才力之大、想象力之丰、个性之显，洵无愧“诗仙”之名，而其广阔的堂庑，既为道教神仙世界拓展了人性化的空间，也为游仙诗史建立了一座继往开来的丰碑，具有不朽的诗学价值与审美意义。%The influence of Taoist culture, LI Bai from Taoism aspect by controlling the immortal to convey his thoughts and feelings. He absorbed the inner spirit and expression form of “Chu Ci” and broke through the quite simple fairy themes and imagery of eager longevity since Six Dynasties. He combined his own sufferings, fused the reality of current affairs and daubed on quite a personalized dreamy color in the strong dis-position. There are three fairy cultural forms in the poet�s“fairy” land:extraordinary people, the fantasy envi-ronment and the fantasy sincere feelings. At the same time, it also created three new patterns to describe the fairy world,“write with magic”,“write with dream”,“write with fairy”, showing a rich and colorful appear-ance and profound artistic conception of fairyland excursion. Because of the great wit, the abundant imagination and the remarkable personality, Li Bai is truly worthy of the name of “poetic genius”. And his great contribu-tion not only expands the humanization space for the Taoist immortal world, but also sets up a monument for the future history, has the immortal poetic value and aesthetic significance.
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