《离骚》名物表现手法之新论

摘要

In Li Sao, Qu yuan imaginatively inherited and developed techniques of expression such as Fu, Bi and Xing, very cleverly combined the vegetation birds in nature with the basic necessities of life in social life, the reality in people exist with fantasy unreal things in God, so as to construct a resplendent, variegated and colorful world of specific objects. Although techniques of expression in Lisao＇ specific objects were complex, not indiscriminately and generally said, still be able to figure things out if a careful look. To sum up, there were four techniques of Expression in Li Sao＇s spe- cific objects, such as pure Fu method, pure Bi method, pure Xing method and Bi method in Fu.%在《离骚》中,屈原匠心独运地继承和发展了《诗经》中赋、比、兴的表现手法,将自然环境中的草木鸟兽与社会生活中的衣食住行、人世间存在的真实事物与神灵间幻想的虚幻事物极其巧妙地组合在一块,从而建构出一个五光十色、摇曳多姿的名物世界。尽管《离骚》名物的表现手法颇为复杂,切不可不加分辨而统言之,但若仔细寻绎,却仍能理出头绪。概而言之,《离骚》名物有四种表现手法,即纯赋法、纯比法、纯兴法、赋中兼比法。