贝多芬钢琴奏鸣曲音响版本差异研究--以《f 小调钢琴奏鸣曲》第三乐章为例

摘要

Different pianists show respective versions because of their own playing styles and skills for Beethoven′s piano sonatas.The analysis of the differences provides useful reference for the pianists and audience and deepens their understanding.For the third move-ment in Piano Sonata in F Minor,four different versions by Schnabel,Backhaus,Richter and Horowitz show their respective playing in-terpretation on one hand and enlightenment of the tempo,dynamics and phrasing for the individual playing on the other hand.%对贝多芬钢琴奏鸣曲的演奏，不同的演奏家因其不同风格或技巧处理等而呈现出不同的音响版本。比较分析这些版本的差异性，能为演奏者或欣赏者提供良好的借鉴，加深其对作品的理解。在《f 小调钢琴奏鸣曲》第三乐章中，施纳贝尔、巴克豪斯、李赫特、霍洛维茨四位大师的音响版本不但显示了他们对乐曲的表演诠释，而且也为贝多芬钢琴奏鸣曲的个性化演奏提供了速度把握、力度掌控和乐句划分等方面的有益启示。