近代以来, 作为中国传统文化一脉的风水观因其缺乏 "真确的知识" 而受到摒弃和批判, 五四以来风水一直受到科学理性、 唯物主义主导的文学思潮的攻伐. 随后, 20世纪中国社会及文化思潮发生了巨大的变迁,风水在文学中的境遇也因时而易, 这不但反映了时代思潮的嬗变, 还纠结着20世纪纷繁复杂的政治、 哲学及美学取向. 尤其是随着90年代中国文化语境的变迁, 风水文化逐渐浮现出其反思现代性的 "复魅" 特质.%In modern times, Feng Shui, which has been inherent to traditional Chinese culture, has been denounced and defamed as lack of scientific and truthful knowledge, and has long been criticized by the rational and materialistic school of literature since the May Fourth Movement. In the 20th century, as the Chinese society and ideology is undergoing dramatic changes, Feng Shui varies from time to time in literature, which reflects not only the transformation of ideology but also the complication of politics, philosophy and aesthetics. Particularly in the 1990s, as the cultural environment in China has greatly changed, the culture of Feng Shui tends to be charged with the nature of "revitalizing the enchantment of the world", i. e. reflections upon modernism.
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