《沧浪诗话》'终不悟'辨析——兼论严羽对苏、黄诗的评价

摘要

严羽《沧浪诗话》所谓"终不悟",指的是学诗者不能选择理想的范本,未能宗汉魏、盛唐之诗,针对的是诗歌创作不遵循"词、理、意兴"相统一的盛唐之诗的审美理想的错误倾向,并非否定苏、黄诗歌艺术水准之论.严羽对苏、黄的批评是局部的,主要是从诗歌创作论的角度指斥苏、黄部分创作过分使事用典、议论说理的毛病,故而将苏、黄归于"野狐外道鬼窟"中、"终不悟"之列是不合理的.%The so?called " final, no insight" in Canglang Poetry by Yan Yu refers that scholars cannot choose the ideal model, failed to carry forward the poetry of the Han Wei and the Tang Dynasties, aimed at the wrong tendency of the poetic creation, which neither did follow the aesthetic ideal of the poetry of the Tang Dynasty nor the "words, principles and Yixing", and did not deny the artistic standard of Su Shi's and Huang Tingjian's poems. Yan Yu's criticism of Su and Huang is partial. He seized the view of poetry creation to re?prove the excessive allusion and over?reasoning in Su's and Huang's creations. Therefore, it remained unrea?sonable to classify Su and Huang into the " evil trend" and " final, no insight" .