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Reflections on Image Narration and Ethnography Writing of Ethnic Music in Tibetan-Yi Corridor

机译:藏语走廊民族音乐图像叙事与民族识别写作的思考

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After Mr. Fei Xiaotong put forward the concept of "Tibetan-Yi Corridor" for the first time, anthropology/ethnology focuses on the ethnic culture of Tibetan-Qiang-Yi cultural corridor. Subsequently, other disciplines began to carry out the corresponding topics from the perspective of cultural corridor. In May 2017, the Tibetan-Yi Corridor Music Research Center of Leshan Normal University held an academic seminar on image narration and cross-border study of ethnic music in Tibetan-Yi Corridor, which actively promoted and enriched the multi-dimensional perspective and methods of ethnic music research in Tibetan-Yi Corridor. From the perspective of ethnomusicology, this paper mainly discusses and ponders on the philosophical enlightenment of the concept of Tibetan-Yi Corridor to the study of ethnic music, the image narration of ethnic music, music ethnography writing and cross-border ethnic research methods, and the way to implement them.
机译:费孝通先生首次提出了“西藏 - 彝走廊”的概念,人类学/民族论侧重于藏族 - 羌彝族文化走廊的民族文化。随后,其他学科开始从文化走廊的角度执行相应的主题。 2017年5月,乐山师范大学的藏族 - 彝走廊音乐研究中心举办了一个学术研讨会,在藏语走廊的族裔音乐的图像叙事和跨境研究中进行了学术研讨会,积极推动和丰富了多维视角和方法西藏彝族走廊的民族音乐研究。从民族武器学的角度来看,本文主要讨论和思考藏语走廊概念对民族音乐研究的哲学启蒙,种族音乐的形象叙事,音乐民族识别写作与跨境民族研究方法,实现它们的方法。

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