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Appreciative, Creative, and Innovative Literary Learning in University: Literary History as a Model

机译:大学的欣赏,创造性和创新的文学学习:文学史作为模型

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This paper was ideas to response problems of the teaching of literature at university which has been more focused on literary theory. The literary work was as if the artifacts 'inanimate' that do not provide any benefits so that its presence was not involved in the study of literature. Therefore, the following ideas should be emphasized in teaching literature at university. First, the learning of literature should be done in a team/group (team-work). Second, the study of literature should include three aspects, namely cognitive, emotive and evaluative aspects. Third, the learning of literature should involve literary works. The students' task was to confront the concepts of literature and literary works. They are, for example, find the characteristics of each period works of literature on the facts/data contained in literary works in accordance with its period. Fourth, within the framework of learning in creative and innovative literature, students are required to do the work and evaluation that sustains the ability of literary appreciation. For example, on an individual basis, students analyze the development of aesthetic elements or differently nonaesthetic and students are required to make a synopsis of the literary works of the period Balai Pustaka until the period of the 2000s. Meanwhile, the evaluation given is not emphasized in the realm of memory and comprehension but directed at the realm of application and evaluation.
机译:本文是对大学文学教学的响应问题的想法,这些问题更加专注于文学理论。文学作品好像是没有提供任何福利的文物的“无生命”,以便其存在没有参与文学研究。因此,应强调在大学的文学中强调以下想法。首先,应在团队/小组(团队工作)中完成文学的学习。其次,文学研究应包括三个方面,即认知,情绪和评价方面。第三,文学的学习应该涉及文学作品。学生的任务是面对文学和文学作品的概念。例如,它们是根据其期间的文学作品所含的事实/数据的每个时期文学作品的特征。第四,在创意和创新文学的学习框架内,学生必须做出维持文学升值能力的工作和评估。例如,在个人的基础上,学生分析审美元素的发展或不同的非学生和学生必须在2000年代的时期进行一段时间的啤酒Pustaka的文学作品概要。同时,在记忆和理解领域中,没有强调给出的评估,而是指导在申请和评估领域。

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