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The metafictive in picture books : a theoretical analysis of the nature and origins of contemporary children's picture books, with case studies of children reading picture book texts

机译:图画书中的变形:对当代儿童图画书的本质和起源的理论分析,以及儿童阅读图画书文本的案例研究

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摘要

The thesis is about picture books and how children read them, and is divided into three parts. In part one I identify a striking parallel between certain exemplary contemporary picture books and the tendency within adult fiction known as postmodernism or metafiction. I enlarge upon this analogy and attempt to establish a tentative taxonomy of metafictive picture books. Part one concludes with an account of an early attempt at exploring how young children read such texts, and with the establishing of the core questions of the thesis: i.e. what is the relation of the metafictive picture book to the form in general?; why is such a highly self-conscious, reflexive form of text found in picture books for young children?; and how do young children read such books? In part two I begin by reviewing the available literature on picture books and then attempt to construct a theory of picture book text. These core theoretical chapters (chapters five, six and seven) are concerned with the nature of pictorial representations and how readers read them; with a revisionist account of the historical origins of the picture book; and with the developing of a view of the picture book as a distinctivelypolysysiemic form of text - i.e. a form of text closely akin to the novel. An attempt is then made to answer the first two of the three main questions. The final part of the thesis explores, through a number of case studies, how young children might construe metafictive texts and traces some of the different ways in which they attempt to make sense of them.
机译:论文主要涉及图画书以及儿童阅读方式,分为三个部分。在第一部分中,我确定了某些示例性当代图画书与成人小说中被称为后现代主义或元小说的趋势之间的惊人相似之处。我会以此类推为基础,并尝试建立元描述性图画书的暂定分类法。第一部分以对早期探索幼儿如何阅读此类文本的尝试进行说明,并确立了论文的核心问题:即,超语言图画书与形式之间的关系是什么?为什么在幼儿图画书中发现了这种高度自我意识,反身的文字形式?以及幼儿如何阅读此类书籍?在第二部分中,我首先回顾了图画书上的可用文献,然后尝试构建图画书文本的理论。这些核心理论章节(第5、6和7章)涉及图形表示的性质以及读者如何阅读它们。修正者对图画书的历史渊源的描述;随着图画书的发展,它成为一种独特的多系统文本形式,即与小说非常相似的文本形式。然后尝试回答三个主要问题中的前两个。本文的最后一部分通过大量案例研究,探讨了幼儿如何诠释元诠释文本,并追溯了他们试图理解它们的一些不同方式。

著录项

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    Lewis David Harry;

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  • 年度 1994
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  • 原文格式 PDF
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