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A Comparison of the Representations of Women in Zuozhuan and Shiji

机译:《左传》和《时事》中女性形象的比较

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摘要

From Chunqiu and Zuozhuan to Shiji, women have experienced a downgrade of their formal status in historical records. In Shiji, women, the wives of dukes, lost their formal equality with their duke husbands in terms of being written into state history, as we see in Chunqiu. Their activities, including marriage, returning home, visits, and death, disappeared from Sima Qian’s history for the Spring and Autumn period, which focuses on the activities of male members of ruling lineages. A positive representation of women’s wisdom, eloquence, and authority is no longer in the interest of nor taken as a ritual part of history writing in Shiji.In the terms of representation of women, especially those from the Spring and Autumn period, in Zuozhuan and Shiji, Zuozhuan gave fuller representation of women than Shiji and its attitude toward women was more positive in comparison to the latter. First, Zuozhuan in many examples presented women as having authority, agency and initiative; in the Shiji versions of these stories, the roles of women were reduced in order to strengthen the agency of and focalization through the male members of a ruling lineage toward a goal of a linear logic of succession. Second, Shiji stressed the disruptive role of women in state affairs by intensively preserving the stories in Zuozhuan that associated women with political disasters and emergencies. Third, Zuozhuan had a non-gendered approach to the effect of women’s wisdom, knowledge and eloquence; it left space for complexity of characterization for women. In contrast, Shiji and Lienü Zhuan, where these stories in Zuozhuan were transmitted, emphasized a patterned understanding of women and produced gender role types.With the representation of women in Shiji, the effect of the agency of women in history is patterned. In Shiji, women’s agency is more closely connected to political disasters and negative political situations. In the limited representation of positive heroines, their good roles came from their virtue in being self-restrictive and submissive. It implies as a historical teaching in Shiji that the limitation of the political autonomy of women is a way to promise the success of lineage and tradition.
机译:从春秋,左传到史记,妇女在历史记录中的正式地位被降低了。正如我们在春秋所看到的,在石鸡,公爵夫人的妇女失去了与公爵丈夫​​的正式平等地位。他们的活动,包括婚姻,回国,探望和死亡,从司马迁春秋时期的历史中消失了,该史集中于执政家族中男性成员的活动。对女性智慧,才干和权威的积极体现不再符合《史记》的历史写作的利益和礼节。就女性而言,特别是春秋时期的女性,在左传和左传诗集比左诗集更充分地代表了女性,与后者相比,其对女性的态度更为积极。首先,左传在许多例子中都把妇女赋予了权威,机构和主动性。在这些故事的《时事》版本中,减少了妇女的作用,以通过统治家族的男性成员加强对继任线性逻辑目标的管理和集中度。其次,史集通过集中保留《左传》中有关妇女与政治灾难和紧急事件的故事,强调了妇女在国家事务中的破坏性作用。第三,左专对女性智慧,知识和口才的影响采取了不分性别的方法。它为女性表征的复杂性留下了空间。相比之下,《左传》中的这些故事被传播的《史记》和《连爱转》强调了对女性的模式化理解并产生了性别角色类型。以《史记》中女性的代表性,模式化了女性在历史上的代理作用。在志济市,妇女机构与政治灾难和负面政治局势有着更紧密的联系。在积极的女主角人数有限的情况下,他们的良好作用源于其自我约束和顺从的美德。作为《史记》中的历史教义,女性政治自主权的限制是保证血统和传统成功的一种方式。

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    Zheng Xiucai;

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  • 年度 2012
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