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ガンダーラ彫刻と阿弥陀仏

机译:hara陀罗雕塑和阿弥陀佛

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摘要

It has long been said (and generally accepted) that no traces of Amida-Buddha (Amitāyus or Amitābha in Sanskrit) belief or cult had not been found in India itself, in spite of the origination of this belief or cult in that country-especially in North-Western region including Gandhara (and Taxila)-being apparant.About ten or twenty years ago two Gandharan-styled statues were made public separately, one in 1973 by Dr. J. C. Harle and the other in 1982 by Prof. J. Brough.Each of them seems, at least to the present auther, to have much significance in the above-mentioned problem of the evidence of the Amida-Buddha belief or cult in India; for the former statue contains in it a Bodhisattva figure in whose turban-shaped crown is sitting a small Buddha in meditation or dhyāna pose (see fig. 3), and the latter has in its pedestal an inscription in which is found the word ‘amridaha’ as the name of the Buddha (as to the latter statue, see fig. 4).With regard to these statues comments or mentions have been done by some scholars, yet any of them does not seem wholly satisfactory.Then, here the present auther tries some consideration to these two statues apart from such opinions; and through it he comes to a conclusion of his own, which supposes not only that either of these two was made as an Amida-Buddha triad (or quintet) but also that most of the similar-shaped statues which have been thought of by A. Foucher (and other scholars after him) as those of the ‘Great Miracle at Crâvastî’ might have been the same, that is, those of Amida-Buddha triad (or quintet, or of his paradise Sukhāvatī: for example, see fig. 1).In addition to this, he surmises consequently that this North-Western region-including Gandhara and Taxila-where flourished the so-called Gandharan Art for several centuries A. D. must have been the main center of the Amida-Buddha belief or cult in India until at the earliest fourth or fifth century A. D.
机译:长期以来一直(被普遍接受),尽管印度的这种信仰或崇拜的起源,尤其是在印度本身,却没有发现任何阿弥陀佛(梵语的阿弥陀佛或阿弥陀佛)的信仰或崇拜的踪迹。大约在十或二十年前,有两尊G陀罗风格的雕像分别公开展出,一件是由JC Harle博士于1973年提出,另一件是由J. Brough教授于1982年提出。至少对于目前的作者而言,每个人似乎在上述提到印度阿米达佛信仰或邪教的证据问题中都具有重要意义;因为前者的雕像中有一个菩萨像,头巾状的头顶上坐着一个冥想或dhyāna姿势的小佛像(见图3),后者的基座上有一个题词,上面写着“ amridaha”作为佛陀的名字(关于后者的雕像,见图4)。一些学者对这些雕像进行了评论或提及,但它们中的任何一个似乎都不是完全令人满意的。除这样的观点外,Auther尝试考虑这两个雕像。然后他得出了自己的结论,该结论不仅假定这两个都是阿弥陀佛三重奏(或五重奏),而且还假定了A曾想到的大多数类似形状的雕像福克斯(和他之后的其他学者)可能与“Crâvastî的大奇迹”的那些一样,也就是阿米达佛三合会(或五重奏,或他的天堂Sukhāvatī)的那些。 1)。此外,他推测,这个西北地区,包括and陀罗和塔西拉,在所谓的AD陀罗艺术中兴盛了几个世纪,一定是阿弥陀佛信仰或宗教信仰的主要中心。印度,直到公元四世纪或五世纪初

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    岩松 浅夫;

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  • 年度 1994
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  • 正文语种 jpn
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