I've been amassing ceramics for years. Friends look out for pieces for me. I was given a beautiful cup and saucer designed by Graham Sutherland, which has featured in several watercolours and drawings. The carefully observed flower, which is printed onto the inside base of the bowl, works so well in layered compositions with feathers, seaweeds and grasses. I also collect Staffordshire figures. I often select a ceramic piece because I can see that it would be perfect for a still-life artwork. I use such pieces to store the seed heads and grasses that I collect; these then form 'accidental' still lives on my studio shelves. Along with pieces with Eric Ravilious and Edward Bawden designs - and examples of Rye Pottery that find their way into my prints and paintings -I also collect teabowls and lustreware jugs. I can see the patterns flowing beyond the surface of the mug or plate and mingling with the plants and grasses that are displayed in and around it.
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