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First-time viewers' comprehension of films: Bridging shot transitions

机译:初次观看电影的人:桥接镜头过渡

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Which perceptual and cognitive prerequisites must be met in order to be able to comprehend a film is still unresolved and a controversial issue. In order to gain some insights into this issue, our field experiment investigates how first-time adult viewers extract and integrate meaningful information across film cuts. Three major types of commonalities between adjacent shots were differentiated, which may help first-time viewers with bridging the shots: pictorial, causal, and conceptual. Twenty first-time, 20 low-experienced and 20 high-experienced viewers from Turkey were shown a set of short film clips containing these three kinds of commonalities. Film clips conformed also to the principles of continuity editing. Analyses of viewers' spontaneous interpretations show that first-time viewers indeed are able to notice basic pictorial (object identity), causal (chains of activity), as well as conceptual (links between gaze direction and object attention) commonalities between shots due to their close relationship with everyday perception and cognition. However, first-time viewers' comprehension of the commonalities is to a large degree fragile, indicating the lack of a basic notion of what constitutes a film.
机译:为了能够理解电影,必须满足哪些感知和认知先决条件仍未解决并且是有争议的问题。为了获得对该问题的一些见解,我们的现场实验调查了首次成年观众如何在电影剪辑中提取和整合有意义的信息。区分了相邻镜头之间的三种主要共性类型,这可能有助于初次观看者桥接这些镜头:图画式,因果关系式和概念性。来自土耳其的20位初学者,20位经验不足的观众和20位经验丰富的观众被展示了一套包含这三种共性的短片剪辑。影片剪辑也符合连续性编辑的原则。对观众自发解释的分析表明,初次观看的观众确实能够注意到基本的绘画(对象身份),因果关系(活动链)以及概念(注视方向与对象注意之间的链接)之间的共同点与日常感知和认知的密切关系。但是,初次观看者对这些共性的理解在很大程度上是脆弱的,这表明缺乏关于电影构成的基本概念。

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