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Biscuits and Jam Scarf

机译:饼干和果酱围巾

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摘要

There are two things I want to share regarding this scarf. The first thing is something I always stress when I'm teaching: the value of sampling. Sampling provides opportunities to explore weave structure and color interaction, determine optimum sett, and test other aspects of a concept before committing to the project. This scarf is a good example of why I'm an enthusiastic fan of sampling. I had (I thought!) an interesting idea for a scarf, but I'd only woven about 3 inches of the sample when I realized it was not going to work on the loom the way I saw it in my mind. Having answered that question, I asked myself, "Okay, what other ideas can I explore on this warp?" There's freedom in knowing that a sample doesn't have to be anything, but is rather a tool for examining and analyzing ideas. I explored everything I could think of over the remaining 21/4-yard warp. The resulting scarf is the product of one of those explorations.
机译:关于这条围巾,我想分享两件事。第一件事是我在教学时总是强调的一点:采样的价值。在进行项目之前,采样提供了探索组织结构和颜色交互作用,确定最佳沉降以及测试概念其他方面的机会。这条围巾很好地说明了为什么我是狂热的采样爱好者。我有(想过!)一条围巾的有趣主意,但是当我发现它无法像我所见的那样在织机上工作时,我只编织了大约3英寸的样品。回答了这个问题后,我问自己:“好吧,在这种变形方面,我还能探索什么其他想法?”可以自由地知道一个样本不必是任何东西,而只是一个检查和分析想法的工具。我探索了剩下的21/4码扭曲中我能想到的一切。由此产生的围巾是这些探索之一的产物。

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  • 来源
    《Handwoven》 |2017年第3期|31-33|共3页
  • 作者

    SARAH H. JACKSON;

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  • 正文语种 eng
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