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Creative remediation of Pynstiller by Fanie Viljoen: From short story to graphic novel

机译:Fanie Viljoen对Pynstiller的创造性修复:从短篇小说到图画小说

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In the Transgressions and boundaries of the page project, artists and writers were invited to create artist's books and thereby to transcend the possibilities of the codex form of the book. This article discusses one of the projects, namely the creative remediation by Fanie Viljoen of his own short story (word), Pynstiller [‘Painkiller'], which deals with the phenomenon of selfmutilation among teenagers, into a graphic novel (word and image). The creative process and product are investigated according to the concepts of media, narratology, picture book and comic book theory. With reference to the two versions of the text, it is indicated how the narrative and theme of the short story are emphasised or extended in the graphic version, and particularly how access to the experienced world of the first-person narrator has been broadened. It appears that the visual narrative elements and the interaction between word and image together contribute towards the narrative, characterisation, portrayal of the theme and the subsequent effect on the reader-viewer. Finally, Fanie Viljoen's remediation of Pynstiller confirms the premise that the artist's book is an ideal medium to challenge and transcend boundaries.
机译:在page项目的Transgressions and boundary中,邀请艺术家和作家创作艺术家的书籍,从而超越该书的法典形式的可能性。本文讨论了一个项目,即Fanie Viljoen对他自己的短篇小说(单词)Pynstiller ['Painkiller']的创造性补救,该小说将青少年的自残现象化为图画小说(单词和图像) 。根据媒体,叙事学,图画书和漫画理论的概念研究创作过程和产品。关于文本的两个版本,说明了在图形版本中如何强调或扩展了短篇小说的叙事和主题,尤其是如何扩大了第一人称叙述者的经验世界。看起来视觉叙事元素以及单词和图像之间的相互作用共同有助于主题的叙事,特征,刻画以及对读者-观众的后续影响。最后,范妮·维约恩(Paniest Viljoen)对Pynstiller的补救措施证实了这样一个前提,即艺术家的书是挑战和超越界限的理想媒介。

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