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Physics in Performance: Three Choreographic Adaptations

机译:表演物理:三个编舞改编

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摘要

As the complex and counterintuitive ideas arising from modern physics have been made accessible via books, articles, and television programs to those with curiosity and persistence, a number of choreographers have tapped the methods and concepts of classical and modern physics for sources of choreography. The choreographers discussed here have used physics in three distinctly different ways, scientifically, artistically, and philosophically: Elizabeth Streb has focused on forces and modeled her process on that of science; Karole Armitage and Amanda Miller have metaphorically translated concepts of physics in making choreographic choices; and Merce Cunningham has shifted long-accepted conceptual and compositional paradigms.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/01472526.2010.517494
机译:由于现代物理学产生的复杂和违反直觉的思想已经通过书籍,文章和电视节目被那些具有好奇心和毅力的人所使用,许多编舞者已经将古典和现代物理学的方法和概念用于编舞的来源。这里讨论的编舞者在科学,艺术和哲学上以三种截然不同的方式使用了物理学:伊丽莎白·斯特雷布(Elizabeth Streb)专注于力,并以科学的过程为模型。卡罗尔·阿米蒂奇(Karole Armitage)和阿曼达·米勒(Amanda Miller)在做出舞蹈选择时已经隐喻地翻译了物理学的概念。并且Merce Cunningham改变了人们早已接受的概念和组成范例。查看全文下载全文digg,google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/01472526.2010.517494

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  • 来源
    《Dance Chronicle》 |2010年第3期|p.353-387|共35页
  • 作者

    Joyce Morgenroth;

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