首页> 中文期刊> 《宜宾学院学报》 >双重否定的独特先锋姿态--从《褐色鸟群》读格非的记忆书写

双重否定的独特先锋姿态--从《褐色鸟群》读格非的记忆书写

         

摘要

面对二十世纪八十年代中后期的现实和文学困境,先锋作家格非以“记忆”为媒,走上了形式冒险的道路。《褐色鸟群》作为格非早期的实验之作,其独特的先锋姿态集中表现在艺术手法和主题内容上:一方面,格非大胆地对传统的叙事技巧进行一系列否定性的变革,搭建起玄奥的叙事迷宫;另一方面,小说在内容上表现了对人孤独、不在的这种被否定的现实生存经验的关照。从叙事迷宫的搭建到对人生存记忆的书写,格非较为成功地完成了自己对特定时期人、历史和存在等的先锋探索和认知。%Facing the dilemma of reality and literature in the middle and late of 1980s, the pioneer writer, GE Fei, went to aform risk path through the medium of memory .The Brown Birds is his early experimental work, whose unique avant-garde attitude focused on expression in art technique and subject .On the one hand, GE Fei has boldly and “negatively” changed a series of traditional narrative techniques to build a mysterious narrative “labyrinth”, on the other hand , the novel showed a negated realistic survival experi-ence about “man” between “inexistence” and loneliness .From building the mysterious narrative “laby-rinth” to recording man’s memory, GE Fei achieved his pioneering exploration and cognition about “man”, history and existence during a specific period of time .

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