首页> 中文期刊> 《武夷学院学报》 >经典的塑造与重塑:试析歌剧《白毛女》的经典性与再创新

经典的塑造与重塑:试析歌剧《白毛女》的经典性与再创新

         

摘要

歌剧是一种极具舞台表现力的综合艺术形式,我国的歌剧在学习国外剧种风格的基础上,具有了独特的艺术特点。1945年4月,歌剧《白毛女》在延安首演取得成功,标志着中国歌剧创作进入新的阶段。自延安首演后至今,歌剧《白毛女》不断地被重新排练,搬上舞台,在经过多次修改和几代演员无数次二度创作后,成为当之无愧的时代经典。本文围绕大量历史文献的记录,结合音乐本体的分析,重点分析其成为经典之作的原因,并探究如何在新时代对其进行传承和创新。并试图以此为借鉴,探讨经典乐曲的塑造与重塑策略,以期推动我国经典乐曲的新发展。%As a kind of comprehensive art form, opera is a very expressive force on the stage. Borrowing foreign opera styles, Chinese opera has created a unique artistic feature. In April 1945, the opera “White-haired Girl” became a great success in Yan'an, hence a new era began for Chinese opera. Since then, after revisions and recreations by generations of actors for countless times ,the opera “White-haired Girl” had been continually rehearsed on the stage and finally became a classic. Drawing on a lot of historical documents,this paper focuses on the analysis of the reasons why it became a classic and how to inherit and innovate it in the new era. It is hoped that through this study, some light can be thrown on the strategies of shaping and reshaping of the classical and that further development of Chinese classic music can be promoted.

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