中国古代书画著录上存有大量知名学者所作序跋，多见为刊本序跋及藏书序跋。无论是刊本序跋还是藏书序跋都不只是涉及版本及校勘问题，一般还会涉及中国古代书画著录创作的学术时代环境及中国古代书画著录序跋作者的背景及对书画著录的价值判断；很大部分还可以视为对书画著录文本内容的修正、补充及考释，从学术的角度上来看，相对严谨。迄今为止，对序跋类文献进行系统整理并利用其对书画著录文本内容进行研究、辅证的研究成果十分罕见。%Records of ancient Chinese calligraphy and painting contains a large number of prefaces and postfaces by well-known scholars of pre-modern and modern times, including forewords and afterwords of republished editions. They cover a variety of issues involving editions, collations, emendations, etc. In light of scholarship, these prefaces and post-faces were seriously composed, and provide general information of the times and environment in which the ancient Chinese calligraphy and paintings were composed and the background of the authors who composed those prefaces and postfaces. Most of them may be viewed as corrections, supplements, annotations and evidential research on the contents of those texts. Up to now, systematic cataloging and studies of these texts are rare; rarer still are research results utilizing studies of these texts. This article is only a preliminary attempt.
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