义和团首领的戏衣

摘要

In early stage , the leaders of Yihetuan were from the refugees , monks , wizards and street artists ,w ho had performing potential or sometimes had the experience of performing in public .So ,many of them were theatergoers .The stage costume can classify roles and identities ,and can be symbolic in societies when displayed in public .The stage costume of the martial arts opera has the warrior connotation and is the symbol of unusual force .The cassock and flags of Yihetuan can be the imitation of the dress of the martial arts opera .The stage costume of the martial arts opera has influenced the leaders of the early Yihetuan on the illusion of the power .%早期义和团的首领多为流民、出家人、巫师和江湖艺人，这些人本身有表演潜质或程度不等地受到过表演训练，具有在公共空间施展表演才能的本领，其中很多首领为戏迷。戏衣具有划分行当的角色定位和身份归属意味，流播于社会则兼具象征性和符号性社会功能，还有公共空间内特殊的仪式性功用，尤其是武戏的戏衣，对以尚武为天职的团民及其领袖来说，无疑是超凡武力的寄托物。义和团的法衣、旗帜同样具有模仿戏曲旗号、服饰的倾向。武戏戏衣对义和团民众的尚武行为及其首领的权力幻想产生过影响力。