Six decades of the year of Yujian seems to have finally found his own poetry as a “dialect” , formed his own poetry aesthetic style . In the language of poetry , transformed the previously spoken creative way , with the classical gas , the Old Man popularity . Stylistically the pursuit of a blend , hybridity old and new style , wanted to find a facility . Created a poetic “dialects” , belongs only to Yujian as a “poetic dialect” . Chinese contemporary poetry collective affection from the writing to the personal feelings from the political discourse to a personal discourse , from the uniform to the fanciful , from slavishly to the “creeps black chaos” , and from “black chaos creeps” to “a new doctrine of Road” , which is the history of contemporary Chinese poetry an art “consciousness” , and this is the art of conscious Yujian's final poem is complete .%即将迎来甲子之年的于坚似乎终于找到了属于他自己诗歌的一种“方言”，形成了他自己诗歌的审美风格。在诗歌的语言上，于坚转变了先前的口语创作方式，有了文言气，旧文人气。文体上追求一种糅合，杂糅了新旧文体，想寻求一种融通。创造了一种诗的“方言”，只属于于坚的一种“诗的方言”。其中有雅有俗，不能一概而论。中国当代诗歌从书写集体之情到个人之情，从政治话语到个人话语，从整齐划一到天马行空，从亦步亦趋到“野怪黑乱”，又从“野怪黑乱”到“新的中庸之路”，这是中国当代诗歌发展史上的一次艺术“自觉”，而这次艺术自觉最终在于坚的诗中完成。
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