“侠”之传承与“三言”中的“侠”

摘要

东汉以后，“侠”已经不再是一个阶层或群体的称谓，而更多的是作为一种精神气质和文化符号而存在。在侠文化的传承过程中，融合了儒墨道释诸家的思想元素，使得“侠”文化结构中，交织着多种因素，并构成其多元的文化性格。晚明通俗文学家冯梦龙的“三言”描绘了春秋至明代中国社会各个阶层的世态人情，其中有相当多的人物有着鲜明的侠的性格，又有任侠、义侠、断情禁欲之侠和情侠之分。结合冯梦龙所在的时代背景和文化人格，通过对“三言”中侠文化的继承和发展脉络条分缕析，可以再现冯梦龙的侠义观。%After the Eastern Han Dynasty,"chivalrous swordsman" is no longer a class or group name,and more as a kind of spirit and cultural symbols.In the process of inheriting the chivalrous culture.Integration of the various elements of thought Taoism,Confucianism and Mohism,the cultural structure of "chivalrous swordsman",intertwined with a variety of factors,and constitute the multiple cultural personality.The late Ming Dynasty popular writer Feng Menglong's "Sanyan" depicts the different social ways of the world from the Spring and Autumn period to the Ming Dynasty China,including many distinctive characters.And then there were chivalrous swordsman,chivalrous with sexual abstinence,and romantic chivalry.With the background of Feng Meng long era and cultural personality,by analysing the inheritance and development of "San Yan" in the context of chivalrous culture,this paper is to reproduce the chivalrous view of Feng Menglong.