顾彬的《二十世纪中国文学史》在一定层面上打破了以往文学史的书写模式，采用文学史博物馆的经典化书写方式，在历史性前提下偏重文学性，具有浓厚的主观色彩。它弱化了文学史流派分支书写体例，淡化了作家流派意识，更着重于作家作品的内在精神联系，并将20世纪知识分子忧郁的精神质素落到现代性层面来阐释。意在表明解除学术霸权，解放文学史家才能使文学史编写符合文学史本身，从而走向“轻松化”和“多元化”。%To some extent, Gu Bin’ s History of the 20th Century Chinese Literature has gone beyond the tradi-tional writing mode by adopting the classic one of museum of literary history, i.e.highlighting the subjective views by choosing to be more literary while staying faithful to history.This mode shifts attention from schools of differen writing styles and writer groups to the inner connection across schools.Moreover, it attempts to analyze the melancholy quality of the 20th century intellectuals under modern context, contending that only be getting rid of academic hegemony to liberate literary historians can return compilation of literary histories to history itself to make it an enjoyable, diversified job.
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