山水实景演出之旅游原真性研究--以《印象·刘三姐》为例

摘要

Although the research on tourism authenticity is growing, most of which just remains in a fuzzy discussion in principle. There is no clear and detailed instruction about what the tourism authenticity is, the difference to heritage authenticity, the speciifc deifnition of each genre and the relationship between the genres. In order to study the tourism authenticity of the real landscape, this paperifrstly presents the premise of the tourism authenticity——the concept of tourism original basis. Secondly, it describes the boundaries between the authenticities of the objectivism, constructivism and postmodernism, and then analyzes their respective scope of the establishment. Through the research results on the tourism authenticity, it carefully studies the “Impression of Sanjie Liu”, so as to illustrate this discrimination by using cases.Finally, it concludes that “Impression of Sanjie Liu” belongs to the constructivism tourism authenticity.%目前，旅游原真性的研究虽然日渐增多，但多停留在一种模糊的原则性论述上，关于旅游原真性是什么、与遗产原真性的区别、每个流派的具体定义及流派之间的关系等问题并没有详细明确的说明。为研究山水实景剧的旅游原真性，本文首先提出旅游原真性的前提——旅游原始依据这一概念，接着描绘客观主义、建构主义和后现代主义原真性之间的界限，辨析它们各自成立的范围。通过对旅游原真性的研究成果细致考察《印象·刘三姐》，以期借助案例对这种辨析进行实证说明，最后得出《印象·刘三姐》属于建构主义旅游原真性这一结论。