暧昧的现代性：空间与个人主体的博弈--从赵树理的《三里湾》说起

摘要

在现当代文学中，现代性的解构往往伴随着个人主体性的消解，而与此同时，小说中的地理叙事却突破了这种藩篱，以空间主体性的姿态冲击着对于现代性的表述，使之呈现一种暧昧不明、模糊不清的状态，赵树理的《三里湾》即因此而受到现代性的质疑。在《三里湾》中，个人的主体性是一个被吞没、消解的过程，与此同时，也是空间的主体性不断壮大的过程，空间将个人都收罗进来，由此使其自身成为整个文本世界里着力要表现的对象。在这种对立与博弈中，因隐匿了的个人主体性而被误认为是现代性的缺乏。其实，赵树理小说所突出呈现的空间主体，也是一种“现代”的创造，这种创造从空间内部结构的摩擦和力量的对比中显示出一种复杂性来，这种“变化了的新空间”与文本中“擦肩而过的个人”在叙事主体性上的对抗，体味出另一种暧昧的现代性。%In general, the destruction of modernity always leads to the disappearance of individuality in modern and contemporary literature.However, the geographical narration solves it.In other words, the space in the gesture of subjectivity breaks the presentation of modernity, which makes it in an ambiguous state, because of which Zhao Shu-li’ s Sanliwan faces the doubt of modernity.In this novel, individuality is in the process of disappearance while space in the process of growing, absorbing individuality, which makes itself be the focus of being expressed. Therefore, the hiding of individuality is misunderstood as the lack of modernity.Actually, the space which is prominently expressed in his novels also belongs to the creation of modernity, which shows the complication in the frictions of internal spacial structures and comparison of strengths.In other words, the struggle between changed space and passing-by individual manifests the modernity of ambiguity .