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An English teacher's design of digital video composing in an urban high school: Impacts on student engagement and learning.

机译:城市高中英语教师在数字视频中的设计:对学生参与和学习的影响。

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摘要

While local and national initiatives now recognize the need for students to learn and communicate in significantly different ways from the past (NCTE, IRA, NAE), traditional school contexts complicate the integration of multimodal literacy practices as authentic practice for curricular and social learning. In a time of unprecedented interest in education for the 21st century, teachers and students have become disaffected and struggle to find engaging and empowering school learning opportunities, illustrating the disconnect between school policies and social practices and current educational research. In all, research illustrates how teachers can enact multimodal communication technologies as authentic literacy learning tools yet are conflicted about designing multimodal learning spaces and valuing the learning that takes place. This study investigates just such a teacher, who simultaneously learned to integrate digital video composing and responded to the demands of her urban school district.;This ethnographic case study focuses on one African-American female teacher, Diane Gorski, in her 5 English classes---two 10th, three 11th---and throughout her participation in a curriculum-based Digital Video Composing Project, City Voices, City Visions. The study focuses specifically on how meaning is made and negotiated from curriculum and how changes over time are represented in contexts for learning and teaching, asking: Over time, how does teacher Discourse---roles and attitudes---about and around digital video activities reveal changes in her planning and mediation in the classroom? How do her students respond to the changed activities as revealed by their engagement, transactions with multimodal tools, and curricular learning? Data included observation notes, artifacts, and video footage from classes, professional development sessions, and teacher-researcher meetings over one school year. Interviews with the teacher and students, along with their DV products, were also collected. I analyzed the data recursively, referring to retrospective data from CVCV, and followed the teacher into the next school year to further understand how her Discourse reflected teaching practices and responses to digital video integration.;Findings suggest that Diane adapted her pedagogy for integrating digital video as an innovative practice over the course of the study. Over time, although traditional notions of English learning were prominent in her school and teaching contexts, she saw digital video composing as a authentic way to make meaning around literature and ELA content. When she observed and talked with her students as they responded to and composed digital video projects on literature, she began to develop an appreciation for student learning processes and agency. Furthermore, she began to recognize these authentic multimodal practices mediated students' deep, embodied, social, and creative understanding of the English curriculum. Students, deeply engaged in multimodal constructions of their poems, voiced a new appreciation for literature and began to see the curriculum and learning as meaningful and purposeful. For both the teacher and students, DV was a way to construct "meaning that matters " and allowed for new stances towards teaching, learning, and literature within the school. The CVCV professional community helped Diane establish a professional identity for multimodal literacy practices, yet test scores and the constraining school context created tensions that suggest educators and researchers must invest fully in teacher learning and development as multimodal learning facilitators. One-size never fits all and thus teachers need in-class support as they reflect on innovative practices and integrate multimodal literacy learning tools in 21st century classroom. When teachers are provided with more autonomy and authentic space for making meaning, they can construct more authentic learning spaces for students. Finally, the findings of this study suggest that the current structure and model of schooling will not afford students with access to learning opportunities that lead to social and democratic participation.
机译:尽管现在地方和国家计划已经意识到学生有必要以不同于以往的方式来学习和交流(NCTE,IRA,NAE),但传统的学校环境使多峰识字实践的整合变得复杂,成为课程和社会学习的真实实践。在21世纪对教育的空前兴趣之时,师生们变得不满,并努力寻找吸引人和赋予学校学习机会的机会,这说明了学校政策与社会实践与当前教育研究之间的脱节。总之,研究表明,教师如何将多模式交流技术用作真正的识字学习工具,却在设计多模式学习空间和评估所发生的学习方面存在冲突。这项研究调查了这样一位教师,她同时学会了如何整合数字视频合成并响应她所在城市学区的需求。该人种学案例研究的重点是一位非裔美国女老师黛安·戈尔斯基(Diane Gorski)的5个英语课: -两位10分,三位11分-以及她参与基于课程的数字视频创作项目,城市之声,城市愿景的整个过程。这项研究特别关注于如何从课程中产生和协商意义,以及如何在学习和教学的情境中表达随着时间的变化,并提出以下问题:随着时间的流逝,关于数字视频及其周围的教师话语(角色和态度)如何发生?活动揭示了她在课堂上的计划和调解的变化吗?她的学生如何通过参与,多模式工具交易和课程学习反映出变化的活动?数据包括观察笔记,文物和来自一个学年的课程,专业发展会议和师生会议的视频录像。还收集了对老师和学生的访谈,以及他们的DV产品。我参考了来自CVCV的回顾性数据对数据进行了递归分析,并跟随老师进入下一学年,以进一步了解她的“话语”如何反映教学实践和对数字视频集成的反应。作为学习过程中的创新实践。随着时间的流逝,尽管传统的英语学习理念在她的学校和教学环境中占主导地位,但她认为数字视频合成是一种使文学和ELA内容有意义的真实方式。当她观察并与学生交谈并与他们交谈并撰写有关文学的数字视频项目时,她开始对学生的学习过程和代理产生赞赏。此外,她开始认识到这些正宗的多模式实践,这使学生对英语课程有了深刻,具体,社会和创造性的理解。深入从事诗歌多模式建构的学生对文学表达了新的赞赏,并开始将课程和学习视为有意义和有目的性。对于教师和学生而言,DV是一种构建“重要意义”的方法,并允许在学校内部对教学,学习和文学采取新的立场。 CVCV专业人士社区帮助Diane建立了多模式扫盲实践的专业身份,但是考试成绩和学校环境的局限性造成了紧张关系,这表明教育者和研究人员必须作为多模式学习促进者,对教师的学习和发展进行充分的投资。单一模式无法容纳所有人,因此教师需要课堂支持,因为他们需要反思创新做法并在21世纪课堂中整合多模式扫盲学习工具。当为教师提供更多的自主权和真实的表达意义的空间时,他们可以为学生构建更多真实的学习空间。最后,这项研究的结果表明,当前的学校教育结构和模式将使学生无法获得导致社会和民主参与的学习机会。

著录项

  • 作者

    Blondell, Monica.;

  • 作者单位

    State University of New York at Buffalo.;

  • 授予单位 State University of New York at Buffalo.;
  • 学科 Education Language and Literature.;Education Teacher Training.;Education Secondary.;Education Technology of.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 349 p.
  • 总页数 349
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 中等教育;教师;
  • 关键词

  • 入库时间 2022-08-17 11:38:22

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