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Pas de huit: An archetypal, mythological, and imaginal approach to Laban's Action Drive.

机译:Pas de huit:拉班的《动作驱动》的原型,神话和虚构方法。

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摘要

This dissertation provides a theoretical, archetypal, and imaginal approach to integrating psyche and soma through the development and design of a distinctive movement praxis rooted in mythology, the Mythic Movement Practice. This proposed movement practice is composed of eight Signature Moves which are based on the eight Effort Actions of Rudolf Laban's Action Drive, as well as on the mythic narratives of eight archetypal deities from Ancient Greece. The gods and goddesses that are explored are Hephaestus, Aphrodite, Ares, Athena, Apollo, Artemis, Hades, and Persephone. The archetypal realm addressed in this dissertation centers upon the imaginal world, the mundus imaginalis , of Greek mythology. To date, no systematic investigation of the potential congruencies between the archetypal and mythological realm of the Greek deities and aspects of Laban's Action Drive has been considered. This exploration is significant because it brings the somatic body into the fields of depth and archetypal psychology, pioneered by Carl Gustav Jung and James Hillman, and it links myth with Laban's movement taxonomy.;Further, by drawing on the research of Edmund Husserl, Maurice Merleau-Ponty, and Maxine Sheet-Johnstone, this dissertation extends prior work on the phenomenology of movement, as it focuses on the Mythic Movement Practice as a 'lived body experience.' In addition, movement, as presented in this model, serves as a symbolic, somatic set of non-linguistic signs. Ferdinand de Saussure's semiotic theory is incorporated to demonstrate that the Signature Moves are an expressive medium that utilizes kinesthetic language.;The intention of the development and design of the Mythic Movement Practice and its eight Signature Moves is to deepen the mythic imagination, expand a mover's mythic and movement palette, facilitate a 'lived body experience,' and to ultimately enhance the connections between psyche and soma.
机译:本论文通过发展和设计扎根于神话(神话运动实践)的独特运动实践,为整合心理和躯体提供了理论,原型和想象的方法。该拟议的运动实践包括八项签名动作,这些动作基于鲁道夫·拉班(Rudolf Laban)的“动作驱动器”的八项努力动作,以及来自古希腊的八位原型神灵的神话叙述。所探索的神灵包括赫菲斯托斯,阿芙罗狄蒂,阿瑞斯,雅典娜,阿波罗,阿耳emi弥斯,黑德斯和波斯波音。本论文探讨的原型领域围绕着希腊神话中的虚构世界,虚构的世界。迄今为止,尚未考虑过对希腊神的原型和神话领域以及拉班的《行动驱动》各方面之间的潜在一致性进行系统的研究。这项探索意义重大,因为它将卡尔·古斯塔夫·荣格(Carl Gustav Jung)和詹姆士·希尔曼(James Hillman)率先将躯体带入了深度和原型心理学领域,并将神话与拉班的运动分类法联系起来。 Merleau-Ponty和Maxine Sheet-Johnstone,此论文扩展了关于运动现象学的先前研究,因为它着重于神话运动实践中的“活体体验”。此外,如本模型中所述,运动是非语言符号的象征性躯体集合。费迪南德·德·索绪尔(Ferdinand de Saussure)的符号学理论被用来证明签名运动是一种利用动觉语言的表达媒介。神话运动实践及其八种签名运动的开发和设计旨在加深神话般的想象力,扩大运动者的神话和运动调色板,有助于“活体体验”,并最终增强心理与躯体之间的联系。

著录项

  • 作者

    Greenwood, Katherine A.;

  • 作者单位

    Pacifica Graduate Institute.;

  • 授予单位 Pacifica Graduate Institute.;
  • 学科 Clinical psychology.;Dance.;Religion.
  • 学位 Ph.D.
  • 年度 2015
  • 页码 236 p.
  • 总页数 236
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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