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The rhetoric of instruction in archaic Greek didactic poetry.

机译:古希腊的教学诗的教学修辞。

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摘要

Chapter One sets up the question of archaic Greek didactic poetry. An examination of the idea of "didactic," leads ultimately to an argument for a polyvalent definition of genre which includes consideration of the rhetoric of instruction and forms of address deployed in these poems. In the case of didactic poetry, we must consider the role of the auditores (used throughout to encompass both "hearers" and "readers"). When we combine attention to the auditores with the formal elements of archaic Greek didactic poetry, we see a distinctive literary genre emerging from the (posited) discourse genre of instruction surviving in the rhetorical genre of parainesis.; Chapter Two focuses on cosmogonic poetry, Hesiod's Theogony and Orphic poetry. The opening of Hesiod's Theogony is read as a deliberate instance of hypotyposis, a scene being made vividly present before the eyes of the auditores. This strategy serves to enhance the truth-value of Hesiod's version of the world, a crucial addition when the Muses present themselves as convincing and persuasive liars. Thanks to the rhetoric of this porooimion, we auditores are persuaded to accept Hesiod's cosmogony.; Chapter Three studies Hesiod's Works and Days. The narrator's brother, Perses, is read as a didactic double. He is a substitute, someone who can be chided and upbraided by the Hesiodic narrator and, implicitly, by the auditores. In this way, the narrator instructs the auditores while nominally instructing a wayward brother.; Chapter Four examines the Presocractic poetry of Xenophanes, Parmenides, and Empedocles. Each author presents, in dactylic hexameters, a version of the cosmos different from his predecessors. Xenophanes first conjoins poetry and philosophy, exhorting auditores to see the foolishness expressed by Homer and Hesiod. Parmenides includes the auditores on his voyage toward knowledge; Empedocles addresses Pausanias, his didactic double. In truth, all auditores are being addressed, enjoined to partake of the wisdom he, like Hesiod, or Xenophanes, or Parmenides before him, proffers.; An Appendix on the use of the Greek pronoun tu&d12;nh (relevant to the discussion of Hesiod's Theogony) and a list of Works Cited & Consulted conclude this dissertation.
机译:第一章提出了古希腊的教学诗的问题。对“句法”概念的考察最终导致了对体裁的多价定义的争论,其中包括对这些诗词中的指示性修辞和称谓形式的考虑。在说教式诗歌的情况下,我们必须考虑听众的角色(贯穿整个使用范围,既包括“听众”也包括“读者”)。当我们将对听众的关注与古希腊的教学主义诗歌的形式元素相结合时,我们看到一种独特的文学体裁从(假想的)话语体裁中兴起,但仍然存在于偏执狂的修辞体中。第二章侧重于世界主义诗歌,即赫西奥德的《神论》和《 Orphic诗歌》。 Hesiod的Theogony的开幕被认为是刻板性低下症的故意实例,一个场景生动地呈现在听众的眼前。这种策略有助于增强Hesiod版本的世界的真实价值,这在缪斯女神以令人信服和有说服力的撒谎者出现时是至关重要的。由于这种空洞的言辞,我们的听众被说服接受了海西德的宇宙论。第三章研究赫西奥德的作品和时代。叙述者的兄弟波斯(Perses)被看做是一门教actic式的双重故事。他是替补,可以由Hesiodic叙述者和隐含的审核员嘲笑和up亵。这样,叙事者在名义上指示任性的兄弟的同时指示审计员。第四章考察色诺芬,帕门尼德斯和恩培多克勒的先行诗。每位作者都用乳状六边形呈现与他的前任不同的宇宙版本。色诺芬人首先将诗歌和哲学结合在一起,劝告听众看到荷马和赫西奥德所表达的愚蠢。帕门尼德斯(Parmenides)包括审计师前往知识之旅。 Empedocles对Pausanias进行了演讲,他的教导是双重的。实际上,所有的审计员都在接受演讲,并被要求分享他的智慧,例如Hesiod或Xenophanes或Parmenides。本论文完成了关于希腊代词tu&d12; nh的使用的附录(与Hesiod的神学理论的讨论有关)和《被引与咨询的著作》清单。

著录项

  • 作者

    Prince, Cashman Kerr.;

  • 作者单位

    Stanford University.;

  • 授予单位 Stanford University.;
  • 学科 Literature Classical.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 261 p.
  • 总页数 261
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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