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A constructivist approach to studio instruction: A case study of a flute class.

机译:课堂教学的建构主义方法:长笛课的个案研究。

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摘要

This 10-week qualitative case study was conducted with five adult beginner flute students for creating a constructivist classroom in the studio instructional environment. This study addresses the traditional approach to studio instruction and applies the philosophy of constructivism and the transformative learning theory to create a more holistic approach to instrumental instruction.;Studio instruction is generally conducted in an apprentice-style approach where the student (apprentice) is instructed by the teacher (expert). This style of banking education (Freire, 1970) dominates the studio instructional setting, where the performance is more emphasized than the process of learning that leads to the performance. This manner of teaching and learning has been passed down through tradition and has not changed much over the course of history of music instruction. Whether you are a music major striving to become a famous soloist or an amateur musician acquiring lessons to improve one's skill for personal enjoyment, the structure of the lesson remains very much the same.;Research in cognitive science has made significant steps forward discussing the importance of experience, critical reflection, and discourse for development in how one learns, processes information, and gains knowledge. However, because the apprentice style of teaching and learning is so embedded in tradition, these concepts are not being readily applied to the studio setting. Music's reference to history and reliance on tradition for preserving beautiful music and instruments enrich all of us and our culture, but, it is important to have a new perspective and approach to explore different ways to teach studio music lessons.;This case study addressed the need to expand the pedagogy of studio instruction by focusing on an environment and development of curriculum that fosters exploration, discovery, critical reflection, and strategies for problem solving through constructivist approach. The process of how the students and the teacher co-create the curriculum and how they changed or are transformed by this learning experience is also be examined.
机译:这个为期10周的定性案例研究是由5名成人初学者长笛学生进行的,目的是在工作室教学环境中创建建构主义课堂。这项研究解决了传统的工作室教学方法,并运用建构主义哲学和变革性学习理论来创建一种更全面的工具教学方法。;工作室教学通常以学徒式方式进行,对学生(学徒)进行教学由老师(专家)。这种风格的银行教育(Freire,1970)在工作室的教学环境中占主导地位,在该工作室中,表演比起表演的学习过程更受重视。这种教学方式已经传承了下来,并且在音乐教学的历史过程中并没有太大变化。无论您是努力成为著名的独奏家的音乐专业学生,还是正在学习课程以提高个人娱乐技能的业余音乐家,课程的结构都基本相同。认知科学的研究已向前迈出了重要的一步,讨论其重要性关于如何学习,处理信息和获得知识的经验,批判性思考和发展话语的知识。但是,由于学徒式的教学和学习风格已根植于传统之中,因此这些概念并不容易应用于工作室环境。音乐对历史的提及以及对保存美丽音乐和乐器的传统的依赖丰富了我们所有人以及我们的文化,但是,重要的是要有一个新的观点和方法来探索不同的方式来教授录音室音乐课。需要通过关注环境和课程开发来扩展工作室教学的教学法,以促进探索,发现,批判性反思以及通过建构主义方法解决问题的策略。还研究了学生和老师如何共同创建课程以及他们如何通过这种学习经历来改变或转变的过程。

著录项

  • 作者

    Cho, Katharine Sun.;

  • 作者单位

    Teachers College, Columbia University.;

  • 授予单位 Teachers College, Columbia University.;
  • 学科 Education Pedagogy.;Education Performing Arts.;Education Music.
  • 学位 Ed.D.
  • 年度 2010
  • 页码 170 p.
  • 总页数 170
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:37:22

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