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What curios of signs: The pedagogical implications of writing as metacognition.

机译:什么迹象的好奇:写作作为元认知的教学意义。

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摘要

This study is a theoretical investigation into the pedagogical implications of characterizing writing as metacognition. Though writing has been variously characterized by researchers ill do fields of composition and literacy, many, even those espousing cognitive theories of writing, have overlooked writing's potential to constitute consciousness.; Drawing primarily on insights from cognitive science, cognitive linguistics, and literary theory, this study characterizes writing as the act of capturing the multidimensional feel of sapient awareness in do serial medium of text. Comparisons between writing and other representational media, most especially pictorial art, demonstrate the capacity of sophisticated, or metacognitive, text to capture this multidimensional experience, much as a picture in perspective both captures and improves upon visual experience.; This investigation posits that the metacognitive writer layers object and metalanguages to represent in textual space the relationships among languaged thoughts in mental space. The metacognitive writer takes a perspective on the propositional content of the text and encodes the relative psychic distance between the perspective point and the content by using textual maneuvers analogous to shading and occlusion in pictorial art. The result of foregrounding and backgrounding propositional content vis-a-vis a perspective point accounts for do textual equivalent of depth perception.; The metacognitive model of writing, once fully articulated, is used as a lens to compare a sample of twenty-three student essays to various examples of professional writing. From this comparison, a taxonomy-in-progress of rhetorical psychic-distancing effects is developed and suggestions for pedagogical applications emerge.
机译:这项研究是对将写作表征为元认知的教学法意义的理论研究。尽管研究人员不擅长作文和读写领域的各种写作特征,但许多人,甚至那些拥护写作认知理论的人,都忽视了写作构成意识的潜力。该研究主要借鉴了认知科学,认知语言学和文学理论的见解,将写作的特征描述为在文本的串行媒体中捕捉智能感知的多维感觉的行为。写作与其他代表性媒体(尤其是绘画艺术)之间的比较表明,复杂的或元认知的文本可以捕捉这种多维体验,就像透视图中的图像可以捕捉并改善视觉体验一样。这项研究假定,元认知作家将对象和元语言分层,以在文本空间中表达心理空间中语言思想之间的关系。元认知作者对文本的命题内容有一个看法,并通过使用类似于图画艺术中的阴影和遮挡的文本操作来编码观点和内容之间的相对心理距离。将命题内容相对于一个透视点进行前景化和背景化的结果说明了深度感知的文本等效性。一旦充分阐明了写作的元认知模型,就可以将二十三篇学生论文的样本与专业写作的各种例子进行比较。通过这种比较,开发了一种进行中的修辞上的心理疏远效应分类法,并提出了用于教学应用的建议。

著录项

  • 作者

    Listro, Stephen A.;

  • 作者单位

    Indiana University of Pennsylvania.;

  • 授予单位 Indiana University of Pennsylvania.;
  • 学科 Language Linguistics.; Language Rhetoric and Composition.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 320 p.
  • 总页数 320
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;语言学;
  • 关键词

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