声明
摘要
Abstract
Contents
Introduction
Chapter One Relevant Literature
1．1 Conceptual Blending Theory and its Development
1．1．1 The Development of CBT Abroad
1．1．2 The Development of CBT at Home
1．2 Previous Studies on“梅”(méi)
1．2．2 Studies on“梅”(méi)from Other Fields
1．3 Previous Studies on Poetic Imageries
Chapter Two Theoretical Foundation for the Analysis
2．1 Basic Notions
2．1．1 Mental Spaces
2．1．2 Basic Elements of CBT
2．2 Framework for Analysis
2．2．1 Operation Mechanism
2．2．2 Generation of Emergent Structure
2．2．3 Types of Conceptual Blending Networks
Chapter Three Analysis of the Imageries of “梅”(méi)in Song Poems
3．1 Data Presentation
3．2 Case Study
3．2．1 High Integrity
3．2．2 The Messenger of the Spring
3．2．3 The Embodiment of Oneself
3．2．4 Emotional Sustenance
3．3 Meaning Construction of the Imageries of“梅”(méi)
Conclusion
Bibliography
Acknowledgements
四川师范大学;
