声明
致谢
目录u3000
Chapter 1 Introduction
1.1 Brian Castro, After China, and Shanghai Dancing
1.2 Literature Review
1.3 Theoretical Framework and Layout of the Thesis
1.3.1 The Border/Boundary Theory
1.3.2 Brian Castro’s Cross-border Writing
1.3.3 Layout of the Thesis
Chapter 2 Spatial Border Crossing
2.1 Connection Beyond Geographical Barriers in After China
2.1.1 Migration:Between Australia and China
2.1.2 Transnational Connection:You Bok Mun and“the Female Writer”
2.2 Identity and the Liminal Space in Shanghai Dancing
2.2.1 Autobiographical Space:Combining Fiction and Fact
2.2.2 Liminal Space:Home for Diasporas
Chapter 3 Ethnic Border Crossing
3.1 Transethnic Encounter with Self and Otherness in After China
3.1.1 Self-negation:Merging the“Self”and the“Other”
3.1.2 Self-redefinition:Finding the“Self”in the“Other”
3.2 Transethnic Encounter with Sex and Violence in Shanghai Dancing
3.2.1 Miscegenation and Sexual Desirability
3.2.2 Miscegenation and Racial Violence
Chapter 4 Cultural Border Crossing
4.1 Identity and Philosophy across Cultural Borders in After China
4.1.1 Transcultural Identity:Being a Cosmopolitan Citizen
4.1.2 Taoism and Postmodernism:Between Eastern and Western Thought
4.2 Memory and Texts across Cultural Borders in Shanghai Dancing
4.2.1 Cosmopolitan Memory:Explorations in Transcultural Settings
4.2.2 Multilingual Texts:Writing across Languages and Cultures
Chapter 5 Conclusion
参考文献
作者简历
学位论文原创性声明
学位论文数据集
中国矿业大学中国矿业大学(江苏);
