文摘
英文文摘
声明
Acknowledgements
INTRODUCTION
Chapter One LITERATURE REVIEW
1.1 A Review of Traditional Approaches to Literary Translation
1.1.1 Linguistic approaches
1.1.2 Literary approaches
1.1.3 Assessment of the conventional approaches to translation studies
1.2 Previous Critieisrns of Different Translations of The Importance of Being Earnest
Chapter Two THEORETICAL FRAMEWORK
2.1 Cultural Turn-the Shift from a Source Text-oriented to a Target Text-oriented Approach
2.1.1 Even-Zohar's polysystem theory
2.1.2 Gideon Toury and Descriptive Translaton Studies
2.1.3 Hermans' anthology and the Manipulation School
2.2 Rewriting Theory
2.2.1 The control factors in translation
2.2.2 Assessment of rewriting theory
2.3 Status Quo of Cultural Turn in Translation Studies in China
2.4 The Necessity and Feasibility of Studing The Importance of Being Earnest in the Culturl Context
Chapter Three THE IMPORTANCE OF BEING EARNEST AND THEIR CHINESE TRANSLATIONS
3.1 A Brief Introduction to Oscar Wilde and His Plays
3.2 The Transaltions of Oscar Wilde's Play in China
3.3 Three Translators and Their Guiding Principles for Translating Plays
3.3.1 Yu Kuang-chung and his viewpoints on drama translation
3.3.2 Qian Zhide's and Zhang Nam-fung's viewpoints on drama translation
Chapter Four IDEOLOGICAL AND POETOLOGICAL MANIPULATION BEYOND THE TRANSLATED TEXT
4.1 The Selection of The Importance of Being Earnest for Translation
4.1.1 The dominant ideology and poetics in Mainland China from 1920s to 1980s
4.1.2 The dominant ideology and poetics in Taiwan from 1920s to 1980s
4.1.3 The dominant ideology and poetics in Hong Kong in the 1980s
4.2 The Literary Criticisms in the Preface and the Afterword
4.3 The Footnotes in the Three Chinese Versions
4.4 The Publication of the Three Chinese Versions
4.5 A Brief Summary
CONCLUSION
NOTES
REFERENCES
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