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Development of the anthropomorphic saxophonist robot WAS-1: Mechanical design of the lip, tonguing, fingers and air pump mechanisms

机译:拟人化萨克斯风机器人WAS-1的开发:唇,舌,手指和气泵机构的机械设计

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The research on the development of musical performance robots has been particularly intensified on the last decades. In fact, the development of anthropomorphic robots able of playing musical instruments have been served as a mean for understanding the human motor control from an engineering point of view as well as understanding how to enable the communication between human and robots from an emotional point of view. In particular, our research aims in the development of an anthropomorphic saxophonist robot which is able not only of performing a musical score; but also to interact with other musical performance robots (i.e. Waseda Flutist Robot) at the emotional level of perception. In this year, we have focused on the mechanical design of an anthropomorphic robot Waseda Saxophonist Robot No. 1 (WAS-1); which has been designed for playing an alto saxophone. WAS-1 has a total of 15-DOFs which mechanically reproduces the following organs involved during the saxophone playing: lips (1-DOF), tongue (1-DOF), oral cavity, lungs (air pump: 1-DOF and air valve: 1-DOF) and fingers (11-DOFs). In order to verify the effectiveness of the production of sound, a set of experiments have been proposed. In particular, the characteristics of air flow-pressure, level of mechanical noise, and the ripple effect ratio are presented. Finally, a qualitative evaluation of the sound produced by WAS-1 is presented and discussed. From the experimental results, we have confirmed the effectiveness of the proposed mechanisms to produce the saxophone sound.
机译:在过去的几十年中,对音乐演奏机器人的开发的研究特别加强。实际上,能够演奏乐器的拟人化机器人的发展已成为从工程学的角度理解人的电机控制以及从情感的角度理解如何实现人与机器人之间通信的一种手段。 。特别地,我们的研究目标是开发一种不仅可以演奏乐谱的拟人化萨克斯风机器人。而且还可以在感知的情感层面上与其他音乐演奏机器人(例如,早稻田Flutist机器人)互动。今年,我们专注于拟人化机器人早稻田萨克斯风机器人1号(WAS-1)的机械设计;专为中音萨克斯风演奏而设计。 WAS-1共有15个自由度,可以机械地复制萨克斯演奏过程中涉及的以下器官:嘴唇(1-DOF),舌头(1-DOF),口腔,肺部(气泵:1-DOF和空气阀) :1个自由度)和手指(11个自由度)。为了验证声音产生的有效性,提出了一组实验。尤其给出了空气流动压力,机械噪声水平和波纹效应比的特性。最后,提出并讨论了WAS-1产生的声音的定性评估。从实验结果,我们已经确认了所提出的产生萨克斯风的机制的有效性。

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