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(1837)NAMING THE WORLD: SCAFFOLDING DIGITAL LITERACIES THROUGH LABELING ACTIVITIES

机译:(1837)命名世界:通过标签活动脚手架数字文学

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The fields of composition and literacy studies have been rife with conversations on the affordances and constraints of new digital literacies, especially as far as student prior knowledge is concerned [1, 2. 3]. As everyone recognizes that students engage in very different literate practices than previous generations, professional practices are also changing, triggering curricular redesign to be able to address the demands of the workplace for experienced digital natives. At Carnegie Mellon University capstone-level courses are most often project-based to give students an appreciation of real practices. However, while students are able to handle the technological demands of such courses (e.g. building or redesigning a website)fairly easily, it isn't equally easy for them to engage in concept-driven methodologies, such as organizing items or labeling them. It seems that in order for undergraduates to engage in conceptual activities at the level of application, we need scaffolding at the introductory and reinforced levels from other courses. A possible solution lies in scaffolding such activities in previous courses, but then continuing to build up mastery by allowing for continuous exercise and practice even while they are applying their knowledge in real contexts. Such an approach had implications for curriculum sequencing and alignment, especially if the expectation is for students to be masterful digital natives.
机译:组成和扫盲研究的领域已经争夺了对新数字文学的带来和限制的对话,特别是对于学生之前的知识而言,关注[1,2]。由于每个人都认识到学生比以前几代人从事非常不同的识字实践,专业实践也在发生变化,触发课程重新设计能够解决经验丰富的数字本地人的工作场所的要求。在卡内基梅隆大学Capstone-Level课程最常见的是项目,使学生欣赏真实的实践。然而,虽然学生能够相当容易地处理这些课程的技术需求(例如,建立或重新设计一个网站),但它们同样容易地从事概念驱动的方法,例如组织物品或标记它们。似乎是为了完成申请水平的概念活动,我们需要在其他课程的介绍性和加强水平的脚手架。可能的解决方案位于以前的课程中的这种活动,但即使在将他们的知识应用于实际情况下也持续持续运动和实践,继续建立掌握。这种方法对课程测序和对准有影响,特别是如果期望是学生掌握数字本地人。

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