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'n Vergelykende studie van Ingrid Winterbach se Die boek van toeval en toeverlaat (2006) en Etienne van Heerden se Asbesmiddag (2007)

机译:'n Vergelykende studie van Ingrid Winterbach se Die boek van toeval en toeverlaat(2006)en Etienne van Heerden se asbesmiddag(2007)

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摘要

The focus of this dissertation is a comparative study of Ingrid Winterbach's Die boek van toeval en toeverlaat (2006) [The Book of Happenstance (2008)] and Etienne van Heerden's Asbesmiddag (2007) [Asbestos Afternoon] within an intertextual and socio-political framework. Both novels show strong links to the literary traditions of which they form part through a high degree of intertextuality with literary predecessors (intertexts from Afrikaans and South African English literature, but also classical intertexts emanating from the larger field of world literature). Both texts exhibit an overt metatextual consciousness. The protagonists in each of these novels are portrayed as novelists. One of the main aims of the study is to interrogate the implied ideological perspectives in both novels - the nature and extent of the reflection of the current South African socio-political system. Winterbach and Van Heerden‘s texts may both be read as fictionalised forms of "protest" against the extrinsic South African socio-political order. These forms of protest focus on the inevitable change from one stage/era to the next, the old South Africa to the new, in a quest for artistic (creative writing and literature) and cultural (Afrikaner identity and language) survival. Die boek van toeval en toeverlaat (2006) and Asbesmiddag (2007) contribute to contemporary discourse by offering implied ideological insights into specific socio-political and metatextual phenomena. This is done in fictional guise - through the characters populating the fictional world of the novel, and also through the authors' implied ideological views. Both novels are intensely concerned with language issues, as well as the status of literature as cultural product. On the metatextual level theoretical issues concerning literature are in the focus, such as the precarious position of the novelist (and the academic) in contemporary South African society, and the status of literature and Afrikaans as a minority language. The purpose of this comparative study is to look at the metatextual, ideological and linguistic aspects of the novels through an extensive intertextual study, in order to interrogate and illustrate the socio-political discourse embedded in them.
机译:本论文的重点是在互文和社会政治框架内对英格丽·温特巴赫(Ingrid Winterbach)的Die boek van toeval en toeverlaat(2006)[幸福之书(2008)]和Etienne van Heerden的Asbesmiddag(2007)[石棉下午]进行比较研究。 。这两部小说都表现出与文学传统的紧密联系,它们通过与文学前辈的高度互文性(来自南非荷兰语和南非英语文学的互文,也来自更大范围的世界文学领域的古典互文)而形成。两种文本都表现出明显的超文本意识。这些小说中的主角都被描绘成小说家。该研究的主要目的之一是对这两本小说中隐含的意识形态观点进行审视-当前南非社会政治体系的反思的性质和程度。温特巴赫(Winterbach)和范海尔登(Van Heerden)的文本都可以被解读为针对南非外在社会政治秩序的“抗议”的虚构形式。这些抗议形式着眼于从一个阶段/一个阶段到下一个阶段,从旧的南非到新的不可避免的变化,以寻求艺术(创意写作和文学)和文化(荷兰语的身份和语言)的生存。 Die boek van toeval en toeverlaat(2006)和Asbesmiddag(2007)通过提供对特定社会政治和超文本现象的隐含意识形态见解,为当代话语做出了贡献。这是通过虚构的幌子完成的-通过小说的虚构世界中的人物,以及作者隐含的意识形态观点来完成的。这两本小说都非常关注语言问题以及文学作为文化产品的地位。在超文本层面上,与文学有关的理论问题成为焦点,例如小说家(和学者)在当代南非社会中的position可危地位,以及文学和南非语作为少数民族语言的地位。这项比较研究的目的是通过广泛的互文性研究来研究小说的超文本性,意识形态和语言学方面,以期探究和说明其中所嵌入的社会政治话语。

著录项

  • 作者

    Strydom Gideon Louwrens;

  • 作者单位
  • 年度 2010
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  • 原文格式 PDF
  • 正文语种 Afrikaans
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