Идентичность женщины в социокультурных реалиях и нарративах начала ХХІ века (The Identity of Woman in the Socio-Cultural Realities and Narratives of the Beginning of the Century)

摘要

В русле определения рефлексивного «Я» как процесса, в udкотором «сэлф»-идентичность конструируется рефлексивным порядком «сэлф»-нарративов, образ «нарративного парudтикуляризма» предполагается ключевым в понятии как эпистемологического «Другого», так и гендерной идентичностиudв целом. Противоречия нарративов в субъективации женщиudны репрезентированы сегодня острее, чем когда-либо ранее,udво многом вследствие влияния новых медиа, действующих вudоперационном пространстве массовой культуры. (The identity of an individual in his/her connection with theudsocio-cultural realia of the third millennium is of great importanceudfor the scientists of different humanitarian subjects, still theudfirst priority in this postmodern research belongs to the genderudidentity. Gender identity has received an analytic elaboration inudthe philosophic accounts that as a rule, centre on the question ofudwhat internal feature of the person – man or woman – establishesudthe continuity of self-identity of the person through time.udIntelligible genders are considered to be those which maintainudtheir relations of coherence through narratives, through culturalud«histories», which constitute personhood. As the postmodernudtheory is proclaimed as to be consequence of the last century`sudobsession with the language, the concept of discourse andudnarrative are of great importance to the most important 20udthud century udthinkers. Feminist philosophers following postmodern classicaludthinkers, claim that culture and narratives are always genderud«histories»: people – men and women – investigate and organizeudthemselves in the world by means of constructing «self-story» –udthe main organizing narrative defining who we are and what weudare in the world which we live in. Nowadays these narratives areudrepresented as a rule, in the pop-culture in accordance with the strict norms of cultural stereotypes. Nowadays none of the varietyudof natural female beauty is good enough. To meet the demands ofudmass culture women fake not only light-heartedness or girlishness,udthey also fake their appearance: face, figure, hair, breasts, etc.udWomen are illusionists because men want an illusion, and theudidentity of those «man-made» women are oversimplified.udNevertheless many meaningful features of woman’s personalityudare undergoing substantial changes these days, and it is obviousudthat the stereotypical image of «true woman» is losing its universaludcharacter now.)