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'Mercy and righteousness have met': literary structure as key to the centrality of mercy in Romans

机译:'怜悯与正义相遇':文学结构是罗马人怜悯中心地位的关键

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摘要

The aim in presenting this dissertation is to establish the thesis that one fundamental literary structure identifiable in Romans provides a clue to a satisfactory reading of the Letter. By ‘satisfactory reading’ I mean a reading which respects all of the data while making sense of the totality of Paul’s message to Roman Christians. I discover that message to be what Paul says it is in Rom 1:1: “The Gospel of God” – The Revelation of God’s Good News for the world. This, in turn, is nothing less than God’s magnificent and merciful plan of salvation for all, Jew and Gentile alike. It includes the stunning revelation of God as being both righteous and merciful. Chapters 9-11 present this truth within a rather surprising, yet thoroughly biblical, context.The methodology used is described in detail in Chapter Three. In summary, it involves exercises in text delimitation, leading to the identification of literary panels/ dyads/triads. A fundamental and leading literary structure may be identified in Romans, firstly by a careful study of both Prologue and Epilogue. Both are shown to consist of two distinct but complementary ‘panels’ which function dialogically and complementarily. A similar pattern of ‘panels in dialogue’ is then detected to be a feature found elsewhere in Romans. Sample texts from the beginning, middle and end of the Letter are found to bear this out (1:1-15; 1:16-3:20; 8:1-39; 12:1-13:14, 13:15-16:27). Eventually, that structure is shown to be pervasive throughout, with one notable exception corresponding to a climactic phase in the Letter (Rom 9-11). The outcome is quite illuminating: A ten-fold literary structure can be discovered, using the tools of contemporary delimitation criticism. This ten-fold structure consists of nine dyads (‘panels’ in dialogue) and one important variant, which is crucial. This variant corresponds with the climax of Paul’s argumentation and the heart of his Gospel for Christians in Rome.If structure is a pointer to meaning in any literary work, as I believe it is, this fundamental structure in Romans provides an important signpost. It is not the only important structure in the Letter, but it is a basic and pervasive one which deserves attention. The thesis presented here is that this underlying structure opens the door to a fresh reading of Romans – a reading which respects both the integrity of the entire sixteen-chapter text and the rich complexity of Paul’s thought.
机译:提出本论文的目的是要建立这样一个论点,即罗马书中可识别的一种基本文学结构为令人满意地阅读《信》提供了线索。 “令人满意的阅读”是指在尊重保罗向罗马基督徒传达的信息的同时,尊重所有数据的阅读。我发现该信息就是保罗在罗马书1:1中所说的:“上帝的福音” –上帝对世界的好消息的启示。反过来,这无非是上帝对所有人(无论犹太人还是外邦人)的宏伟和仁慈的救赎计划。它包括上帝公义和仁慈的惊人启示。第9-11章在一个相当令人惊讶但又完全符合圣经的上下文中介绍了这个真理。第三章详细介绍了所使用的方法。总而言之,它涉及到文本定界中的练习,从而确定了文学面板/二元组/三元组。在罗马人中,首先可以通过对序言和结语的仔细研究来确定基本的和领先的文学结构。两者均显示为由两个截然不同但互补的“面板”组成,它们在对话和互补方面起作用。然后发现类似的“对话面板”模式是罗马语中其他地方的功能。信的开头,中间和结尾的示例文本可以证明这一点(1:1-15; 1:16-3:20; 8:1-39; 12:1-13:14,13:15 -16:27)。最终,这种结构被证明是普遍存在的,但一个明显的例外对应于《信》(罗马书9-11)中的一个高潮阶段。结果是很有启发性的:使用当代划界批评的工具,可以发现十种文学结构。这种十折的结构由九个二元组(对话中的“面板”)和一个重要的变体(至关重要)组成。这种变体与保罗论证的高潮和罗马的《基督徒福音》的内心相吻合。如果我认为结构是任何文学作品中意义的指针,那么罗马人的这一基本结构便提供了重要的路标。它不是《信》中唯一重要的结构,而是一个基本而普遍的结构,值得关注。这里提出的论点是,这种潜在的结构为罗马书的新阅读打开了大门。罗马书既尊重整个十六章文本的完整性,又尊重保罗思想的复杂性。

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