The harp extended: an exploration of resonance, mimicry and improvisation

摘要

This research project explores methods of extension of the pedal Harp vocabulary in an attempt to develop a unique language that challenges the instrument's stereotype and better responds to a range of contexts. I have investigated three key areas of extension: the physical structure of the Harp and its internal resonant spaces, mimicry as an exploratory tool useful in better understanding the Harp in relation to the Australian environment, and improvisation both free and structured used to challenge the vocabulary of the Harp in solo performance and collaborative contexts. The research stems from my longstanding curiosity with regards to the limits that a sanctioned or stereotyped repertoire of sounds and techniques places on an instrument for those who engage both as players and listeners.This critical commentary documents the results of the three areas of exploration indicated above as well as exploratory practice undertaken by other Harpists, it also discusses the problematic term 'extended techniques’ and draws on interviews conducted with progressive Harpists and improvisers with regards to extending the vocabulary of their own instruments. The sixty concerts I have performed internationally over the research period have also been central to my research.The final work consists of three elements: a solo Improvised Harp performance in my family home in suburban Sydney (filmed and recorded), a recording of Second Stabbing (Ohnedaruth), a Harp-lead composition by my Berlin-based ensemble: Hammeriver, and a series of three short studies composed of recordings of the resonant spaces inside the Harp entitled Spinal Fluid. All four pieces draw from and address what I have learnt from exploring the resonant physical structure, mimicry and improvisation. The result is a unique language that challenges the stereotypical profile of the Harp as a decorative instrument by embracing both its unique resonance and capacity for darkness, subtlety and texture. This language allows for a more flexible response to a broader range of contexts.